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The Allure of Counterpoint: History and Reconciliation in the Writing of Edward Said and Assia Djebar
16 references·0 citing·35 second hop
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References

  • 1985Imagined Communities. Reflections on the Origin and Spread of Nationalism25,901 cited
  • 1994Culture and Imperialism.6,527 cited
  • 20122. Peau noire, masques blancs635 cited
  • 1964Les damnés de la terre582 cited
  • 2007On late style: music and literature against the grain459 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 1978Beginnings: Intention and Method379 cited
  • 2005Nation, Language, and the Ethics of Translation362 cited
  • 2005Algeria in France: Transpolitics, Race, and Nation332 cited
  • 1988The New Harvard Dictionary of Music216 cited
  • 2002Parallels and Paradoxes: Explorations in Music and Society195 cited
  • 1976Metahistory: The Historical Imagination in Nineteenth-Century Europe.121 cited
  • 2003Voyous : deux essais sur la raison104 cited
  • 1995Vaste est la prison64 cited
  • 2000Le blanc de l'Algerie62 cited
  • 2007Edward Said: The Legacy of a Public Intellectual57 cited

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