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Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern
0 references·16 citing·43 second hop
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  • 2006Zipf's law and the creation of musical context71 cited
  • 1990Three Essays on Milton Babbitt53 cited
  • 1998Art music from 1800 to 186047 cited
  • 2008The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare”29 cited
  • 2017Climate Change Music: From Environmental Aesthetics to Ecoacoustics29 cited
  • 2015Applications of DFT to the Theory of Twentieth-Century Harmony26 cited
  • 1998African American music to 190025 cited
  • 2013Sound and semantics: topics in the music of Arnold Schoenberg15 cited
  • 2003Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels15 cited
  • 2006A graph-theoretical approach for pattern matching in post-tonal music analysis14 cited
  • 1994"Mein Weg geht jetzt vorüber": The Vocal Origins of Webern's Twelve-Tone Composition12 cited
  • 2007Taking Culture Seriously: Democratic Music and Its Transformative Potential in South Korea11 cited
  • 1998Avant-garde and experimental music11 cited
  • 1998American Indian musics, past and present9 cited
  • 1998

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Nineteenth-century popular music
9 cited
  • 1998Serialism and complexity6 cited