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‘An atrocious indifference’: Rossini's operas and the politics of musical representation in early-nineteenth-century Italy
10 references·2 citing·20 second hop
‘An atrocious indifference’: Rossini's operas and the politics of musical representation in early-nineteenth-century Italy (2012)‘An atrocious indifference’: Rossini's op…The Invention of Beethoven and Rossini (2013)The Invention of Beethoven an…«Ferrea e tenace memoria» La pratica rossiniana dell'autoimprestito nel discorso dei contemporanei (2011)«Ferrea e tenace memoria» La …The Risorgimento's literary canon and the aesthetics of reception: some methodological considerations (2009)The Risorgimento's literary c…Rossini's noisy bodies (2009)Rossini's noisy bodiesThe New Grove Guide to Verdi and His Operas (2007)The New Grove Guide to Verdi …Rossini (2007)RossiniRossini in Restoration Paris: The Sound of Modern Life (2007)Rossini in Restoration Paris:…Comedy between Two Revolutions: Opera Buffa and the Risorgimento, 1831-1848 (2004)Comedy between Two Revolution…Rossiniana : antologia della critica nella prima metà dell'Ottocento (1992)Rossiniana : antologia della …Becoming a citizen: The chorus inRisorgimentoopera (1990)Becoming a citizen: The choru…Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season (2022)Under Cover in Babylon: Rossi…BeyondNationaloper. For a critique of methodological nationalism in reading nineteenth-century Italian and German opera (2020)BeyondNationaloper. For a cri…Opera, or the Undoing of Women (1979)Foundations of Music History (1983)Political Shakespeare: New Essays in Cultural Materialism (1986)Verdipolitico: a wounded cliché regroups (2012)BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–1814 (2014)Teaching Italy Through Its Music. The Meaning of Music in Italian Cultural History (2023)Music and Musicians In Nineteenth-Century Italy (1991)The transformation of the world: a global history of the nineteenth century (2014)The Transformation of the World: A Global History of the Nineteenth Century (2014)Uncle Tom on the Ballet Stage: Italy's Barbarous America, 1850–1900 (2011)Magical thinking: reason and emotion in some recent literature on Verdi and politics (2012)Local Color: Donizetti's Il furioso in Naples (2008)‘An exotic and irrational entertainment’: opera and our others; opera as other (2012)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Writing about Popular Music (2019)Offenbach Performance in Budapest, 1920–1956 (2022)Cherubini and the Revolutionary Sublime (2012)Heilige Trias, Stildualismus, Beethoven: on the limits of nineteenth-century Germanic music historiography (2013)The Cambridge Companion to French Music (2015)Historically Informed Performance (2015)
this work references cited by second hop

References

  • 2007Rossini in Restoration Paris: The Sound of Modern Life91 cited
  • 2013The Invention of Beethoven and Rossini64 cited
  • 1990Becoming a citizen: The chorus inRisorgimentoopera35 cited
  • 2007Rossini26 cited
  • 2009The Risorgimento's literary canon and the aesthetics of reception: some methodological considerations25 cited
  • 2009Rossini's noisy bodies11 cited
  • 2007The New Grove Guide to Verdi and His Operas9 cited
  • 2004Comedy between Two Revolutions: Opera Buffa and the Risorgimento, 1831-18487 cited
  • 2011«Ferrea e tenace memoria» La pratica rossiniana dell'autoimprestito nel discorso dei contemporanei5 cited
  • 1992Rossiniana : antologia della critica nella prima metà dell'Ottocento1 cited

Cited by

  • 2020BeyondNationaloper. For a critique of methodological nationalism in reading nineteenth-century Italian and German opera3 cited
  • 2022Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season3 cited

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