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Py-GC-MS of the synthetic polymers used in past restorations on Giotto's mural paintings at the Scrovegni Chapel (Padova)
9 references·0 citing·37 second hop
Py-GC-MS of the synthetic polymers used in past restorations on Giotto's mural paintings at the Scrovegni Chapel (Padova) (2002)Py-GC-MS of the synthetic polymers used i…Characterisation of natural resins by pyrolysis—Silylation (2002)Characterisation of natural r…The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)The Analysis of Synthetic Pai…In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers (2001)In-situ pyrolysis and silylat…A review of synthetic binding media in twentieth‐century paints (2000)A review of synthetic binding…Characterisation of paint layers in Chinese archaelogical relics by pyrolysis-GC-MS (1999)Characterisation of paint lay…Analysis of oxidised diterpenoid acids using thermally assisted methylation with TMAH (1997)Analysis of oxidised diterpen…Use of analytical pyrolysis to characterize Egyptian painting layers (1995)Use of analytical pyrolysis t…Identification des matériaux synthétiques dans les peintures modernes. I. Vernis et liants polymères (1990)Identification des matériaux …Application of analytical pyrolysis to problems in art and archaeology: A review (1989)Application of analytical pyr…Ancient Egyptian Materials and Industries (1963)La Chimica nel Restauro: I Materiali dell'Arte Pittorica (1991)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Characterization of proteinaceous binders in wall painting samples by microwave-assisted acid hydrolysis and GC-MS determination of amino acids (1998)An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)Use of integrated non-invasive analyses for pigment characterization and indirect dating of old restorations on one Egyptian coffin of the XXI dynasty (2018)The Organic Chemistry of Museum Objects (1988)Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry (1998)Py/GC/MS characterisation of naturally and artificially aged inks and papers (2009)Spectroscopic and chromatographic studies of sculptural polychromy in the Zhongshan Grottoes (R.P.C.) (2012)The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments (2019)On Picture Varnishes and Their Solvents (1973)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Characterization of Artists' Acrylic Emulsion Paints (2003)Separation techniques for the analysis of artists' acrylic emulsion paints (2004)UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints (2011)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Py‐GC/MS of Organic Paint Binders (2009)Organic Chemistry of Museum Objects (2012)Exploitation of Beehive Products, Plant Exudates and Tars in Corsica During the Early Iron Age (2015)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)Proof of a pine wood origin for pitch from Tudor (Mary Rose) and Etruscan shipwrecks: application of analytical organic chemistry in archaeology (1987)Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac (2003)Gas chromatography/mass spectrometry characterization of historical varnishes of ancient Italian lutes and violin (2006)Fourier transform infrared spectroscopy as a suitable technique in the study of the materials used in waterproofing of archaeological amphorae (2007)The Influence of Varnishes on the Appearance of Paintings (1987)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Determination of the plasticizer content in poly(vinyl acetate) paint medium by pyrolysis–silylation–gas chromatography–mass spectrometry (2008)Identification of additives in poly(vinylacetate) artist’s paints using PY-GC-MS (2010)Characterisation of permanent markers by pyrolysis gas chromatography–mass spectrometry (2011)Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects (1995)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Development of a GC‐MS Method for the Simultaneous Analysis of Latent Fingerprint Components* (2006)Chemical characterisation of spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach (2015)Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks (2015)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)
this work references cited by second hop

References

  • 1997Analysis of oxidised diterpenoid acids using thermally assisted methylation with TMAH100 cited
  • 2001The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS)96 cited
  • 1989Application of analytical pyrolysis to problems in art and archaeology: A review75 cited
  • 2000A review of synthetic binding media in twentieth‐century paints74 cited
  • 2002Characterisation of natural resins by pyrolysis—Silylation61 cited
  • 2001In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers61 cited
  • 1995Use of analytical pyrolysis to characterize Egyptian painting layers42 cited
  • 1990Identification des matériaux synthétiques dans les peintures modernes. I. Vernis et liants polymères36 cited
  • 1999Characterisation of paint layers in Chinese archaelogical relics by pyrolysis-GC-MS28 cited

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