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The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs
5 references·2 citing·23 second hop
The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs (1987)The Rhythms of Form: Correspondence and A…On the Problem of Succession and Continuity in Twentieth-Century Music (1986)On the Problem of Succession …Aspects of Rhythm in Webern's Atonal Music (1980)Aspects of Rhythm in Webern's…Beyond Orpheus: Studies in Musical Structure (1979)Beyond Orpheus: Studies in Mu…Music, the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture (1968)Music, the Arts and Ideas: Pa…Stravinsky: The Progress of a Method (1962)Stravinsky: The Progress of a…The Music of Pavel Haas (2020)The Music of Pavel HaasThe Synthesis of Rhythms: Form, Ideology, and the “Augurs of Spring” (2007)The Synthesis of Rhythms: For…The Subconscious Language of Musical Time (1979)Foreground Rhythm in Early Twentieth-Century Music (1983)A Theory of Twelve-Tone Meter (1984)The State of Research in Twelve-Tone and Atonal Theory (1989)Galileo as a Critic of the Arts (1954)Perspectives of New Music (1963)The Structure of Atonal Music (1974)Stravinsky's "Mass" and Stravinsky Analysis (1989)C o‐operating C ontinuities in the M usic of T homas A dès (2006)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Black Sun: Depression and Melancholia (1991)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)The Oxford Handbook of Topic Theory (2013)The Evaluation of Nonlinear Musical Structures (2011)Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years (1983)Those Images That Yet Fresh Images Beget (1983)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Are species intelligent? (1990)A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century (2001)Nineteenth-Century Fortunes of Musical Formalism (2011)Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure (2010)Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid (2019)Translating musical meaning (2023)
this work references cited by second hop

References

  • 1962Stravinsky: The Progress of a Method123 cited
  • 1968Music, the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture54 cited
  • 1979Beyond Orpheus: Studies in Musical Structure45 cited
  • 1986On the Problem of Succession and Continuity in Twentieth-Century Music32 cited
  • 1980Aspects of Rhythm in Webern's Atonal Music17 cited

Cited by

  • 2020The Music of Pavel Haas10 cited
  • 2007The Synthesis of Rhythms: Form, Ideology, and the “Augurs of Spring”8 cited

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