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Absolute Advertising: Walter Ruttmann and the Weimar Advertising Film
16 references·0 citing·33 second hop
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References

  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 2010Dissensus: On Politics and Aesthetics2,419 cited
  • 1990Discourse Networks, 1800/19001,247 cited
  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 2009Films that Work : Industrial Film and the Productivity of Media275 cited
  • 2003Hollywood flatlands: animation, critical theory and the avant-garde248 cited
  • 2007The Future of the Image202 cited
  • 2001Weimar SurfacesUrban Visual Culture in 1920s Germany135 cited
  • 2007Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939113 cited
  • 1920Psychologie und Wirtschaftsleben75 cited
  • 1996A Second Life : German Cinema's First Decades56 cited
  • 2004Optical poetry: the life and work of Oskar Fischinger50 cited
  • 1965Expressionismus und Film39 cited
  • 1927Psychologie der Werbung33 cited
  • 1926Psychologie der Reklame28 cited
  • 2004Mouvements de l'air : Étienne-Jules Marey, photographe des fluides21 cited

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