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The experience of immediacy: Emotion and enlistment in fact-based theatre
10 references·1 citing·31 second hop
The experience of immediacy: Emotion and enlistment in fact-based theatre (2011)The experience of immediacy: Emotion and …Contemporary Theatre Review (2012)Contemporary Theatre ReviewGet Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010) (2011)Get Real: Documentary Theatre…Playing with Documentary Theatre: Aalst and Taking Care of Baby (2009)Playing with Documentary Thea…From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre (2008)From Deconstruction to Recons…Putting the Document into Documentary: An Unwelcome Corrective? (2006)Putting the Document into Doc…Bodies of Evidence (2006)Bodies of EvidenceThe Politics of Performance (2002)The Politics of PerformanceIn-yer-face theatre : British drama today (2001)In-yer-face theatre : British…The Address of the Eye (1992)The Address of the Eye‘Verbatim Theatre’: Oral History and Documentary Techniques (1987)‘Verbatim Theatre’: Oral Hist…Historia oral, memoria colectiva y comunidad en el teatro del mundo: el caso del teatro "verbatim" = Oral history, colective memory and community theatre: the case of "verbatim" theatre (2016)Historia oral, memoria colect…Writing and Difference (1980)The Politics and Poetics of Camp (1996)Verbatim Theatre, Media Relations and Ethics (2007)Liveness: performance in a mediatized culture (2008)How Voters Feel (2013)Theorizing Sound Writing (2017)From Dramaturgy to Theatre as Technology: The Case of Corporate Theatre* (2003)The Cambridge History of British Theatre (2004)The politics of intention: looking for a theatre of little changes (2009)Suicide Determination and the Professional Authority of Medical Examiners (2005)Professions and Their Work (2008)Introduction: An Anthropology of Absence (2010)(Re)constructing Political Theatre: Discursive and Practical Frameworks for Theatre as an Agent for Change (2015)Raising social consciousness through verbatim theatre: a realist evaluation (2017)NEWS ON STAGE: Towards Re-configuring Journalism through Theatre to a Public Sphere (2020)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)Preventing violent extremism and ‘Not in My Name’: theatrical representation, artistic responsibility and shared vulnerability (2011)Performing asylum : theatre of testimony in South Africa (2017)The function of verbatim theatre conventions in three Australian plays (2017)The use of research‐based theatre in a project related to metastatic breast cancer (2000)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)‘That's who I'd be, if I could sing’: Reflections on a verbatim project with mothers of sexually abused children (2011)The Documentary Real: Thinking Documentary Aesthetics (2016)Critical Approaches to Circular Economy Research: Time, Space and Evolution (2020)Eurasian Persuasions: Mixed Race, Performativity and Cosmopolitanism (2007)Christoph Schlingensief and the Bad Spectacle (2011)Postdramatic Tragedies (2019)The Cambridge History of British Theatre (2004)AFFECT, PERFORMANCE AND QUEER SUBJECTIVITIES (2011)
this work references cited by second hop

References

  • 1992The Address of the Eye1,199 cited
  • 2002The Politics of Performance345 cited
  • 2001In-yer-face theatre : British drama today248 cited
  • 2006Bodies of Evidence152 cited
  • 1987‘Verbatim Theatre’: Oral History and Documentary Techniques133 cited
  • 2012Contemporary Theatre Review87 cited
  • 2006Putting the Document into Documentary: An Unwelcome Corrective?72 cited
  • 2011Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010)44 cited
  • 2008From Deconstruction to Reconstruction: A Habermasian Framework for Contemporary Political Theatre19 cited
  • 2009Playing with Documentary Theatre: Aalst and Taking Care of Baby18 cited

Cited by

  • 2016Historia oral, memoria colectiva y comunidad en el teatro del mundo: el caso del teatro "verbatim" = Oral history, colective memory and community theatre: the case of "verbatim" theatre5 cited

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