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Cited by

• 1986Improvised Ornamentation in Eighteenth-Century Orchestras48 cited
• 1989The Prosodic Appoggiatura in the Music of Mozart and His Contemporaries30 cited
• 2006The body behind music: precedents and prospects28 cited
• 1997Performance as Experience: the problem of assessment criteria27 cited
• 1965The Art Of Accompanying And Coaching25 cited
• 2008Influences of Dynamic Level and Pitch Register on the Vibrato Rates and Widths of Violin and Viola Players24 cited
• 2009Listening, thinking and writing22 cited
• 2009Amico21 cited
• 1977Mozart's Teaching of Intonation18 cited
• 2020How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century17 cited
• 2018Mozart and Freemasonry16 cited
• 1976The Performance of Beethoven's Trills6 cited
• 2011Strategies for Improving the Tone Quality of your Orchestra3 cited