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Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers
3 references·16 citing·52 second hopsampled
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Nicola in Carcere (Rome) (2020)Analytical chemistry approach…Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings (2018)Portable and laboratory analy…Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Multi-analytical and non-inva…In situ non-invasive characterization of the composition of Pompeian pigments preserved in their original bowls (2018)In situ non-invasive characte…Raman characterization of XIV–XVI centuries Sardinian documents: Inks, papers and parchments (2017)Raman characterization of XIV…Non-destructive and micro-invasive testing techniques for characterizing materials, structures and restoration problems in mural paintings (2016)Non-destructive and micro-inv…Integrated Analysis of Pigments on Murals and Sculptures in Mogao Grottoes (2015)Integrated Analysis of Pigmen…Strontium, a new marker of the origin of gypsum in cultural heritage? 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(1990)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Portable laser-induced breakdown spectroscopy/diffuse reflectance hybrid spectrometer for analysis of inorganic pigments (2017)Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping (2017)In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens (2018)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Infrared Spectroscopy in Conservation Science (2000)Clay and iron oxide pigments in the history of painting (2003)A multi-technique nondestructive approach for characterizing the state of conservation of ancient bookbindings (2018)Raman microscopy in archaeological science (2004)Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome (2019)Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy (2023)The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review (2023)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)Polymerization degree and Raman identification of ancient glasses used for jewelry, ceramic enamels and mosaics (2003)Raman spectroscopy in art and archaeology (2006)Micro‐Raman characterizations of Pompei'smortars (2008)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)
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References

  • 2005In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy104 cited
  • 2007Raman Spectrometry, a Unique Tool to Analyze and Classify Ancient Ceramics and Glasses104 cited
  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited

Cited by

  • 2011The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus69 cited
  • 2009Combined use of FORS, XRF and Raman spectroscopy in the study of mural paintings in the Aosta Valley (Italy)65 cited
  • 2013Handheld XRF for Art and Archaeology65 cited
  • 2013Strontium, a new marker of the origin of gypsum in cultural heritage?63 cited
  • 2018Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii62 cited
  • 2009In situ investigations of vault paintings in the Antwerp cathedral55 cited
  • 2016Non-destructive and micro-invasive testing techniques for characterizing materials, structures and restoration problems in mural paintings53 cited
  • 2010The examination of works of art using in situ XRF line and area scans52 cited
  • 2020Analytical chemistry approach in cultural heritage: the case of Vincenzo Pasqualoni's wall paintings in S. Nicola in Carcere (Rome)45 cited
  • 2012An advanced multivariate approach for processing X-ray fluorescence spectral and hyperspectral data from non-invasive in situ analyses on painted surfaces

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43 cited
  • 2023Current progress on murals: distribution, conservation and utilization40 cited
  • 2017Raman characterization of XIV–XVI centuries Sardinian documents: Inks, papers and parchments38 cited
  • 2018In situ non-invasive characterization of the composition of Pompeian pigments preserved in their original bowls37 cited
  • 2015Integrated Analysis of Pigments on Murals and Sculptures in Mogao Grottoes32 cited
  • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
  • 2010Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts31 cited