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N January 7, 1751, readers of the Boston Evening-Post found a full-column poetic letter, entitled In Defence of Masonry, occupying half of the front page. At the top was one of the earliest engravings accompanying a poem to appear in a newspaper. It depicted two men, one bent over, the other penetrating him with a trunnel, or wooden spike. Here graphic imagery with sodomitical overtones accompanied stanzas containing phallic references and allusions to homoerotic group activities. Sodomy was still a capital crime in eighteenth-century Massachusetts-could symbolic sodomy have been a source of emasculating satire?1
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