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to voice their opinions about this recently published reference work. What we wanted was a kaleidoscopic view of the thirty-fourvolume undertaking from the informed vantage point of art historians, library professionals, and artists. We also encouraged our panel of five distinguished reviewers to comment on whatever lacunae they discovered in their perusals of the Dictionary of Art. How might scholars, artists, researchers, and laymen use this mighty document? we asked them. Their answers appear below.-Alexandra Anderson-Spivy, Reviews Editor
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