SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
‘Shipping bullshit’: Twitter rumours, fan/celebrity interaction and questions of authenticity
5 references·1 citing·24 second hop
‘Shipping bullshit’: Twitter rumours, fan/celebrity interaction and questions of authenticity (2014)‘Shipping bullshit’: Twitter rumours, fan…To See and Be Seen: Celebrity Practice on Twitter (2011)To See and Be Seen: Celebrity…A STAR IS BORNAND THE CONSTRUCTION OF AUTHENTICITY (2010)A STAR IS BORNAND THE CONSTRU…Girls make sense (2009)Girls make senseCelebrity Twitter: Strategies of Intrusion and Disclosure in the Age of Technoculture (2009)Celebrity Twitter: Strategies…A star is born and the construction of authenticity (2003)A star is born and the constr…Channels produced by LGBT+ YouTubers: gender discourse analysis (2018)Channels produced by LGBT+ Yo…Mass Communication and Para-Social Interaction (1956)The Presentation of Self in Everyday Life. (1956)Instafame: Luxury Selfies in the Attention Economy (2015)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)Fostering Parasocial Relationships with Celebrities on Social Media: Implications for Celebrity Endorsement (2017)The Presentation of Self in Everyday Life (2023)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)Modernity and self-identity: self and society in the late modern age (1992)Hannah Montana and Miley Cyrus: ‘becoming’ a woman, ‘becoming’ a star (2014)“Exciting” and “borderline offensive”: bloggers, binaries, and celebrity feminism (2017)“A very basic view of feminism”: feminist girls and meanings of (celebrity) feminism (2020)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Growing Up Digital: The Rise of the Net Generation (1997)The Network Society: Social Aspects of New Media (2005)Older Adolescents' Motivations for Social Network Site Use: The Influence of Gender, Group Identity, and Collective Self-Esteem (2009)YouTube, una plataforma para la (in)formación, relación, comunicación, diversión, y gestión de indentidades (de género) en la natividad digital (2018)Tweeting @feliciaday: Online Social Media, Convergence, and Subcultural Stardom (2012)Celebrity in the ‘Twitterverse’: history, authenticity and the multiplicity of stardom Situating the ‘newness’ of Twitter (2014)Celebrity status, sex, and variation in psychopathy predicts judgements of and proclivity to generate and distribute deepfake pornography (2021)A rapport and impression management approach to public figures’ performance of talk (2004)“One tweet to make so much noise”: Connected celebrity activism in the case of Marlee Matlin (2016)The Challenge of Cultural Elites: Celebrities and Social Movements* (1995)Media, Celebrities, and Social Influence: Identification With Elvis Presley (2002)“Can You Handle My Truth?”: Authenticity and the Celebrity Star Image (2009)
this work references cited by second hop

References

  • 2011To See and Be Seen: Celebrity Practice on Twitter1,186 cited
  • 2010A STAR IS BORNAND THE CONSTRUCTION OF AUTHENTICITY121 cited
  • 2003A star is born and the construction of authenticity89 cited
  • 2009Celebrity Twitter: Strategies of Intrusion and Disclosure in the Age of Technoculture82 cited
  • 2009Girls make sense39 cited

Cited by

  • 2018Channels produced by LGBT+ YouTubers: gender discourse analysis18 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work