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Fictions of the Pose: Facing the Gaze of Early Modern Portraiture · Study

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ArticleFictions of the Pose: Facing the Gaze of Early Modern Portraiture

Harry Berger1994

Article1994

Fictions of the Pose: Facing the Gaze of Early Modern Portraiture

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Visual Culture and Art Theory Renaissance Literature and Culture Historical Art and Culture Studies

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References

2001Camera Lucida: Reflections on Photography 2018The Four Fundamental Concepts of Psycho-Analysis 2001Écrits: A Selection 1979The Four Fundamental Concepts of Psycho-Analysis 1980Absorption and Theatricality 1981Absorption and Theatricality: Painting and Beholder in the Age of Diderot 1991The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat 1989Painting as an Art

Cited by

2002The “Eternal Return”: Self‐Portrait Photography as a Technology of Embodiment 2001Pompadour's Touch: Difference in Representation 2016The Aesthetics of Colonialism: George Chinnery’s Portrait of Gilbert Elliot, 1st Earl of Minto, 1812 2013Temporality and the Seventeenth-Century Dutch Portrait 1997Anne Bradstreet's “personal” protestant poetics 2009The Silhouette and Quaker Identity in Early National Philadelphia

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Year1994

Typearticle

Published1994-01-01

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ISSN-L0734-6018

Languageen

Citations55

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ShelfVisual Culture and Art Theory

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doi10.1525/rep.1994.46.1.99p0224g

openalex_workW1991570682

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2008

Connection and peripheral encounters in Paris bout du monde and Les Passagers du Roissy-Express: text and photography by François Maspero and Anaïk Frantz

1997Henry Unton's little lives: Inscription and suture in the Elizabethan portrait