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Toward a “Post-Troubles” Cinema?: The Troubled Intersection of Political Violence and Gender in Neil Jordan’s The Crying Game and Breakfast on Pluto
4 references·0 citing·12 second hop
Toward a “Post-Troubles” Cinema?: The Troubled Intersection of Political Violence and Gender in Neil Jordan’s The Crying Game and Breakfast on Pluto (2014)Toward a “Post-Troubles” Cinema?: The Tro…Cinema and Northern Ireland: Film, Culture and Politics (2006)Cinema and Northern Ireland: …Literature, Partition and the Nation-State: Culture and Conflict in Ireland, Israel and Palestine (2001)Literature, Partition and the…Outlaw Culture: Resisting Representations (1994)Outlaw Culture: Resisting Rep…Cinema and Ireland (1988)Cinema and IrelandModernism, Ireland and the Erotics of Memory (2002)Dion Boucicault: Irish Identity on Stage (2012)Peripheral visions: the film and television industry in Galway, Ireland (2021)Questioning the (bad) question: ‘Was Ireland a colony?’ (2008)INTRODUCTION TO SPECIAL ISSUE Historical Geographies of Ireland: Colonial Contexts and Postcolonial Legacies (2013)Washing words: The politics of water in Mourid Barghouti’s I Saw Ramallah (2013)Emerging Criteria for Quality in Qualitative and Interpretive Research (1995)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Intersectionality as buzzword (2008)Cities under Watch: Urban Northern Ireland in Film (2010)Revisiting British Film Studies (2010)European Crime Cinema and the Auteur (2020)
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References

  • 1994Outlaw Culture: Resisting Representations984 cited
  • 2001Literature, Partition and the Nation-State: Culture and Conflict in Ireland, Israel and Palestine131 cited
  • 1988Cinema and Ireland57 cited
  • 2006Cinema and Northern Ireland: Film, Culture and Politics29 cited

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