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Male and Female Artistry in Kalabari Dress
6 references·4 citing·33 second hop
Male and Female Artistry in Kalabari Dress (1986)Male and Female Artistry in Kalabari DressKalabari Cut-Thread and Pulled-Thread Cloth (1981)Kalabari Cut-Thread and Pulle…Distinguishing non-western from western dress: The Concept of cultural authentication. (1980)Distinguishing non-western fr…Gurensi Wall Painting (1978)Gurensi Wall PaintingTradition and Creativity in Tribal Art (1975)Tradition and Creativity in T…The Igbo of southeast Nigeria (1965)The Igbo of southeast NigeriaThe Hausa of northern Nigeria (1965)The Hausa of northern NigeriaWarriors in Top Hats (2013)Warriors in Top HatsSocial Change and the Symbolism of Dress in Kalabari Women's Societies (1995)Social Change and the Symboli…Dress and Gender in Kalabari Women's Societies (1995)Dress and Gender in Kalabari …African Visual Arts from a Social Perspective (1989)African Visual Arts from a So…What Do Pictures "Really" Want? (1996)Africa's Discovery of Europe: 1450-1850 (2002):Changing Clothes in China: Fashion, History, Nation (2009)West African City: A Study of Tribal Life in Freetown. (1958)The Raw and the Cooked (1964)Province of Freedom: A History of Sierra Leone, 1787-1870, by John Peterson (1972)African Visual Arts from an Art Historical Perspective (1989)Diversity of Research in Textiles, Clothing, and Human Behavior: The Relationship Between What We Know and How We Know (2000)Theory Is Everywhere (2007)Symbolic Interactionism: Perspective and Method. (1971)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)Purity and Danger (1966)Essays on the Verbal and Visual Arts (1968)‘Canadian Journal of African Studies’ (1967)Ethnographic Research: A Guide to General Conduct (1987)Dress and Identity (1992)Cultural Authentication Refined: The Case of the Hawaiian Holokuū (1997)Breaking Habits: Fashion and Identity of Women Religious (1998)Clothing their Resistance in Hegemonic Dress: The Clothesline Project's Response to Violence Against Women (2000)Sino-Japanism In Western Women's Fashionable Dress In Harper's Bazar, 1890-1927 (1992)The political culture of non-western fashion identities1 (2020)Lineage Organisation of the Tallensi Compound: The Social Logic of Domestic Space in Northern Ghana (2002)Ethnic Competition and Modernization in Contemporary Africa (1974)Boy-Wives and Female Husbands: Studies of African Homosexualities (1999)The Commodification of the Body and its Parts (2000)One Tribe, One Style? Paradigms in the Historiography of African Art (1984)CREATIVITY AND CROSS‐CULTURAL VARIATION (1990)Style, Society, Myth, and Structure (1995)Ilorin Lantana Beads (1986)Textile Production and Gender in the Sokoto Caliphate (1993)Relationship between subsistence and age at weaning in “preindustrial” societies (2001)
this work references cited by second hop

References

  • 1965The Igbo of southeast Nigeria354 cited
  • 1965The Hausa of northern Nigeria45 cited
  • 1975Tradition and Creativity in Tribal Art35 cited
  • 1981Kalabari Cut-Thread and Pulled-Thread Cloth31 cited
  • 1980Distinguishing non-western from western dress: The Concept of cultural authentication.17 cited
  • 1978Gurensi Wall Painting12 cited

Cited by

  • 1989African Visual Arts from a Social Perspective28 cited
  • 1995Dress and Gender in Kalabari Women's Societies14 cited
  • 1995Social Change and the Symbolism of Dress in Kalabari Women's Societies4 cited
  • 2013Warriors in Top Hats4 cited

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