A Cognitive Theory of Musical MeaningCandace Brower2000-10-01articleJournal of Music Theory254 citationsclosedNo readable copy stored yet — this record is metadata only.Musicology and Musical AnalysisNeuroscience and Music PerceptionCognitive Science and Education ResearchAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 254 citations exist upstream.References1987Women, Fire, and Dangerous Things1991Playing with Signs1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations2001Theorizing Musical MeaningCited by2003"Something in the Way She Moves"-Metaphors of Musical Motion2017Metaphor Wars: Conceptual Metaphors in Human Life2006Normalizing the Abnormal: Disability in Music and Music Theory2011Extraordinary Measures2011The Oxford Handbook of Neo-Riemannian Music Theories2011Guitar Voicing in Pop-Rock Music2009Ironic Narrative, Ironic Reading2011Nineteenth-Century Fortunes of Musical Formalism