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Identification of colourants in icons of the Cretan School of iconography using Raman spectroscopy and liquid chromatography
13 references·8 citing·34 second hop
Identification of colourants in icons of the Cretan School of iconography using Raman spectroscopy and liquid chromatography (2012)Identification of colourants in icons of …Analysis of natural red dyes (cochineal) in textiles of historical importance using HPLC and multivariate data analysis (2011)Analysis of natural red dyes …Identification of organic materials in icons of the Cretan School of iconography (2010)Identification of organic mat…Investigation of the colourants used in icons of the Cretan School of iconography (2009)Investigation of the colouran…Raman spectroscopic analysis of azurite blackening (2008)Raman spectroscopic analysis …The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs (2007)The Colourful Past: Origins, …Natural Dyes: Sources, Tradition, Technology and Science (2007)Natural Dyes: Sources, Tradit…The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs (2005)The Colourful Past - Origins,…Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)Analysis of Roman age wall pa…Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics (2003)Lapis lazuli as unexpected bl…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Raman microscopy: The identif…The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)The Coccid Insect Dyes: HPLC …High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)High Performance Liquid Chrom…Scanning X-ray Fluorescence Data Analysis for the Identification of Byzantine Icons’ Materials, Techniques, and State of Preservation: A Case Study (2022)Scanning X-ray Fluorescence D…On the Red and Yellow Pigments of Post‐Byzantine Greek Icons* (2020)On the Red and Yellow Pigment…On the blue and green pigments of post‐Byzantine Greek icons (2020)On the blue and green pigment…Red lakes from Leonardo's Last Supper and other Old Master Paintings: Micro-Raman spectroscopy of anthraquinone pigments in paint cross-sections (2019)Red lakes from Leonardo's Las…Investigation of the Cross-Section Stratifications of Icons Using Micro-Raman and Micro-Fourier Transform Infrared (FT-IR) Spectroscopy (2018)Investigation of the Cross-Se…Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars (2017)Comparison of analytical tool…A multi-analytical study of the Belarusian icon “Virgin Eleusa” (XVII cent.) (2017)A multi-analytical study of t…In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble (2016)In situ Raman spectroscopic s…Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Analysis of pigments from Roman wall paintings found in Vicenza (2003)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY (2009)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)Identification and differentiation of ancient and modern European porcelains by Raman macro‐ and micro‐spectroscopy† (2001)On‐site Raman analysis of Medici porcelain (2003)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Nondestructive on‐site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries? 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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1985High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles255 cited
  • 1989The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns191 cited
  • 2005The Colourful Past - Origins, Chemistry and Identification of Natural Dyestuffs168 cited
  • 2007The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs149 cited
  • 2007Natural Dyes: Sources, Tradition, Technology and Science131 cited
  • 2003Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics121 cited
  • 2004Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto90 cited
  • 2008Raman spectroscopic analysis of azurite blackening86 cited
  • 2011Analysis of natural red dyes (cochineal) in textiles of historical importance using HPLC and multivariate data analysis75 cited
  • 1997Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy75 cited
  • 2009Investigation of the colourants used in icons of the Cretan School of iconography69 cited
  • 2010Identification of organic materials in icons of the Cretan School of iconography46 cited

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  • 2017

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Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars
26 cited
  • 2022Scanning X-ray Fluorescence Data Analysis for the Identification of Byzantine Icons’ Materials, Techniques, and State of Preservation: A Case Study21 cited
  • 2019Red lakes from Leonardo's Last Supper and other Old Master Paintings: Micro-Raman spectroscopy of anthraquinone pigments in paint cross-sections19 cited
  • 2020On the blue and green pigments of post‐Byzantine Greek icons19 cited
  • 2020On the Red and Yellow Pigments of Post‐Byzantine Greek Icons*17 cited
  • 2016In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble15 cited
  • 2017A multi-analytical study of the Belarusian icon “Virgin Eleusa” (XVII cent.)15 cited
  • 2018Investigation of the Cross-Section Stratifications of Icons Using Micro-Raman and Micro-Fourier Transform Infrared (FT-IR) Spectroscopy14 cited