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Powers of Blackness: Africanist Discourse in Modern Concert Music
16 references·2 citing·29 second hop
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References

  • 2020Rabelais and his world3,421 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1991Gone primitive: savage intellects, modern lives1,234 cited
  • 1993Tarrying with the Negative1,045 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1953Writing Degree Zero296 cited
  • 1992Blackface, White Noise: The Jewish Jazz Singer Finds His Voice241 cited
  • 1934Music Ho!: A Study of Music in Decline210 cited
  • 2017The Scramble for Africa: White Man's Conquest of the Dark Continent from 1876 to 1912168 cited
  • 1997Classical Music and Postmodern Knowledge140 cited
  • 1984Tippett, the composer and his music86 cited
  • 1985"The Sword Became a Flashing Vision": D. W. Griffith's The Birth of a Nation71 cited
  • 1991A Ravel reader: correspondence, articles, interviews56 cited
  • 1970Essays Before a Sonata, The Majority, and Other Writings49 cited
  • 1960Selections from Ralph Waldo Emerson42 cited
  • 1964Music in a New Found Land: Themes and Development in the History of American Music

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24 cited

Cited by

  • 2019Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major5 cited
  • 2007African art music for flute: a study of selected works by African composers2 cited