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Death 24x a Second: Stillness and the Moving Image
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  • 2012Mobile screens: the visual regime of navigation93 cited
  • 2017Tape: Or, Rewinding the Phonographic Regime79 cited
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  • 2010Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales64 cited
  • 2008Uncanny Reflections, Modern Illusions: Sighting the Modern Optical Uncanny51 cited
  • 2015Feminisms42 cited
  • 2017World Building. Transmedia, Fans, Industries41 cited
  • 2015The reanimation of the digital (un)dead, or how to regenerate bodies in digital cinema35 cited
  • 2020Screen Space Reconfigured35 cited
  • 2019Frame by Frame34 cited
  • 2017Dying in Full Detail33 cited
  • 2010The History and Aesthetics of the Classical Film Still31 cited
  • 2014The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking30 cited
  • 2018Video, the Cinematic, and the Post-Cinematic: On Jean-Luc Godard’s Histoire(s) du Cinéma26 cited
  • 2018Feminist Cringe Comedy: Dear Dick, The Joke Is on You22 cited
  • 2009

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Difficult work in a popular medium: Godard on ‘Hitchcock's method’
20 cited