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Funerall Teares or Dolefull Songes? Reconsidering Historical Connections and Musical Resemblances in Early English 'Absalom' Settings
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Funerall Teares or Dolefull Songes? Reconsidering Historical Connections and Musical Resemblances in Early English 'Absalom' Settings (2009)Funerall Teares or Dolefull Songes? Recon…Thomas Tomkins: The Last Elizabethan (2017)Thomas Tomkins: The Last Eliz…Tonal Structures in Early Music (2014)Tonal Structures in Early Mus…Grove Music Online (2006)Grove Music OnlineAssessing "Cultural Influence": James I as Patron of the Arts (2001)Assessing "Cultural Influence…Melodious Tears: The English Funeral Elegy from Spenser to Milton (1993)Melodious Tears: The English …English Sacred Music 1549-1649 (1993)English Sacred Music 1549-1649:Henry, Prince of Wales and England's Lost Renaissance (1987):Henry, Prince of Wales and E…Source materials and the interpretation of music : a memorial volume to Thurston Dart (1981)Source materials and the inte…Shrewsbury School, Manuscript VI: A Medieval Part Book? (1975)Shrewsbury School, Manuscript…The Sources of English Church Music, 1549-1660 (1974)The Sources of English Church…Two English Musicians at Heidelberg in 1613 (1970)Two English Musicians at Heid…Grove's Dictionary of Music and Musicians (1970)Grove's Dictionary of Music a…Thomas Weelkes: A biographical and critical study (1969)Thomas Weelkes: A biographica…Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese (1966)Aspects of Medieval and Renai…Jacobean Pageant: Or the Court of King James I (1963)Jacobean Pageant: Or the Cour…DERING'S LIFE AND TRAINING (1952)DERING'S LIFE AND TRAINING‘As if a little bird is sitting on your finger...’: metaphor as a key instrument in training professional musicians (2006)Crossmodal correspondences between sounds and tastes (2012)Music as Collective Invention: A Social Network Analysis of Composers (2014)Eminence, creativity, and geographical marginality: A recursive structural equation model. (1977)The Decline of Improvisation in Western Art Music: An Interpretation of Change (1992)Agency and Change: Berlioz in Britain, 1870–1920 (2007)Musical Patronage at the Royal Court of France under Charles VII and Louis XI (1422-83) (1984)Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-1475 (1991)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)"A beggar's book Outworths a noble's blood": The Politics of Faction in Henry VIII (1992)Shakespeare'sKing Henry VIIIand the triumph of the word (1994)Recent Studies in the English Masque (1996)The Government of Trade: Commerce, Politics, and the Courtly Art of the Restoration (1999)The Commerce of Utility: Teaching Mathematical Geography in Early Modern England (2006)Evil Counsel: ThePropositions to Bridle the Impertinency of Parliamentand the Critique of Caroline Government in the Late 1620s (2011)The Lament and the Rhetoric of the Sublime (1998)Prophecy and Gendered Mourning in Lanyer's Salve Deus Rex Judaeorum (2003)Rhetoric, Grief, and the Imagination in Early Modern England (2010)Dunstable, Bedyngham and O rosa bella (1994)The polyphonicrondeau c.1300: Repertory and context (1996)Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)Shakespeare Beyond the Green World (2023)Tonal organization in seventeenth-century music theory (2002)Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) (2014)HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET (2017)
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References

  • 2006Grove Music Online254 cited
  • 1970Grove's Dictionary of Music and Musicians126 cited
  • 2014Tonal Structures in Early Music116 cited
  • 1966Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese77 cited
  • 1993Melodious Tears: The English Funeral Elegy from Spenser to Milton51 cited
  • 1987:Henry, Prince of Wales and England's Lost Renaissance45 cited
  • 1963Jacobean Pageant: Or the Court of King James I23 cited
  • 1981Source materials and the interpretation of music : a memorial volume to Thurston Dart22 cited
  • 2001Assessing "Cultural Influence": James I as Patron of the Arts18 cited
  • 2017Thomas Tomkins: The Last Elizabethan18 cited
  • 1970Two English Musicians at Heidelberg in 161317 cited
  • 1969Thomas Weelkes: A biographical and critical study9 cited
  • 1974The Sources of English Church Music, 1549-16607 cited
  • 1975Shrewsbury School, Manuscript VI: A Medieval Part Book?6 cited
  • 1952DERING'S LIFE AND TRAINING4 cited
  • 1993English Sacred Music 1549-16494 cited

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