Bach's Partita No. 1 inB♭, BWV825: Schenker's Unpublished Sketches with Commentary and Alternative Readings

David W. Beach

4 citations0/0 files storedMusic Theory Spectrum

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

The article is an in-depth study of Bach's Partita No. 1, taking Schenker's unpublished sketches (Oster Collection: Papers of Heinrich Schenker, file 69, pages 4–35) as a point of departure. Schenker's sketches (ca.1925) are presented in transcription and their contents discussed, providing the basis for alternative readings.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 4 citations exist upstream.

References

1991Phrase Rhythm in Tonal Music 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.1999Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction 2001Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions 1999Bass-line articulations of the Urlinie 20175. Schenker's Theory of Levels and Musical Performance 1982Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract?2005Aspects of Unity in J. S. Bach's Partitas and Suites

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.