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From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier
16 references·0 citing·28 second hop
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this work references cited by second hop

References

  • 1991The Middle Ground1,206 cited
  • 1979The White Man's Indian: Images of the American Indian from Columbus to the Present724 cited
  • 1993The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815695 cited
  • 2006Sovereignty Matters: Locations of Contestation and Possibility in Indigenous Struggles for Self-Determination468 cited
  • 1995Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England.159 cited
  • 1993Hanging the head: portraiture and social formation in eighteenth-century England130 cited
  • 2006Portraits of a people: picturing African Americans in the nineteenth century121 cited
  • 1987Cherokee Renascence in the New Republic100 cited
  • 1992Art in Theory 1815-1900: An Anthology of Changing Ideas91 cited
  • 1992The West as America: Reinterpreting Images of the Frontier, 1820-192087 cited
  • 1996Dressing for Success on the Mohawk Frontier: Hendrick, William Johnson, and the Indian Fashion75 cited
  • 1989North American Indians66 cited
  • 2004Print the Legend: Photography and the American West58 cited
  • 2006American Indians in British art, 1700-184054 cited
  • 2013Native American Art in the Twentieth Century

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34 cited
  • 1980The Natural Man Observed: A Study of Catlin's Indian Gallery30 cited
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