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The author suggests that new concepts in twentieth-century science not only provide commonalities between the arts, sciences and humanities, they also point to the emergence of a new philosophy of nature with some promising political, sociological and technological implications. These developments demand a thorough-going ethical practise and a fundamental reformulation of accepted notions of creativity, consciousness and natural and social organization. Outlining key concepts and discoveries in twentieth-century science and philosophy, the author draws attention to the existence of a strong organismic or process tradition in Western culture that is reemerging in various fields of the physical, biological and social sciences. The author asserts that such a change in science and technology will have global ramifications for humans and that it is the amplification of these insights to which artists should turn their attention.
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Stored only when both papers are in the corpus — 6 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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