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Material, history, arguments: unidentified publicity images and art-installations
10 references·0 citing·29 second hop
Material, history, arguments: unidentified publicity images and art-installations (2014)Material, history, arguments: unidentifie…The Death of Cinema (2019)The Death of CinemaWhen Film Came to Madras (2010)When Film Came to MadrasMulti-media: Video – Installation – Performance (2007)Multi-media: Video – Installa…Multi-media (2007)Multi-media'Photos of the gods': the printed image and political struggle in India (2004)'Photos of the gods': the pri…The Bombay Film Poster: The Journey from the Street to the Museum (2003)The Bombay Film Poster: The J…Reinventing film studies (2000)Reinventing film studiesA Voyage on the North Sea: Art in the Age of the Post-Medium Condition (2000)A Voyage on the North Sea: Ar…The Invisible Flâneuse. Women and the Literature of Modernity (1985)The Invisible Flâneuse. Women…Film history: Theory and practice (1985)Film history: Theory and prac…The Painter of Modern Life and Other Essays (1986)Urban Lifestyles: Diversity and Standardisation in Spaces of Consumption (1998)Geographies of retailing and consumption (2000)Consumers and Consumption (2004)The Invention of Tradition (1986)“Regional” Cinema or Products of Bricolage ? An Introduction to Malayalam Studio Film of the Early 1950s (2013)Editorial: Archives and Histories (2013)The Video Turn: Documentary Film Practices in 1980s India (2013)Economic and Political Weekly (2017)Nietzsche, Genealogy, History (2019)The Hidden Dimension (1973)The Postmodern Condition: A Report on Knowledge (1984)Postmodernism, or, The cultural logic of late capitalism (1991)Teatro y nuevas tecnologías: conceptos básicos (2008)Resource Partitioning, the Founding of Specialist Firms, and Innovation: The American Feature Film Industry, 1912–1929 (2000)Film Festivals : From European Geopolitics to Global Cinephilia (2007)the oppositional gaze black female spectators (2014)Mediation and immediacy: sensational forms, semiotic ideologies and the question of the medium (2011)Rule by Aesthetics: World‐Class City Making in Delhi (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)In the Ruins of the Image (2007)STRUCTURAL FILM: (2008)The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural (2014)Digital Rubbish (2011)Geography and art. An expanding field (2012)Anywhere or not at all: philosophy of contemporary art (2014)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)
this work references cited by second hop

References

  • 2000Reinventing film studies635 cited
  • 2004'Photos of the gods': the printed image and political struggle in India452 cited
  • 1985Film history: Theory and practice446 cited
  • 2000A Voyage on the North Sea: Art in the Age of the Post-Medium Condition445 cited
  • 1985The Invisible Flâneuse. Women and the Literature of Modernity425 cited
  • 2019The Death of Cinema116 cited
  • 2007Multi-media: Video – Installation – Performance36 cited
  • 2010When Film Came to Madras18 cited
  • 2007Multi-media10 cited
  • 2003The Bombay Film Poster: The Journey from the Street to the Museum8 cited

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