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This essay considers David Hare’s Stuff Happens, Tom Stoppard’s Rock ‘n’ Roll, and Max Stafford-Clark and Robin Soans’s Talking to Terrorists as examples of a recent turn (or return) to documentary theatre in recent British drama.
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Stored only when both papers are in the corpus — 10 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.