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Linear Basis Models for Prediction and Analysis of Musical Expression
9 references·1 citing·20 second hop
Linear Basis Models for Prediction and Analysis of Musical Expression (2012)Linear Basis Models for Prediction and An…The Magaloff Project: An Interim Report (2010)The Magaloff Project: An Inte…The virtual score : representation, retrieval, restoration (2001)The virtual score : represent…A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major (1999)A microcosm of musical expres…A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major (1998)A microcosm of musical expres…Anatomy of a Performance: Sources of Musical Expression (1996)Anatomy of a Performance: Sou…The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Analysis and Cognition of…Evolution of the Keyboard Interface: The Bosendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards (1990)Evolution of the Keyboard Int…Performance practices in classic piano music: their principles and applications (1989)Performance practices in clas…Performance Practices in Classic Piano Music (1988)Performance Practices in Clas…An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music (2017)An evaluation of linear and n…Psychological perspectives on successful aging: The model of selective optimization with compensation (1990)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Emotion and Meaning in Music (1961)A classic turn of phrase: music and the psychology of convention (1988)Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Musical Performance as Interpretation (1995)The elastic phrase: modeling the dynamics of boundary-adjacent lengthening (2003)Giftedness and evidence for reproducibly superior performance: an account based on the expert performance framework (2007)Music Performance Research at the Millennium (2003)Variance based sensitivity analysis of model output. Design and estimator for the total sensitivity index (2009)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Mozart and Freemasonry (2018)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Universals in the world’s musics (2011)Measurement and reproduction accuracy of computer-controlled grand pianos (2003)Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles (2013)Communicative Pressure and the Evolution of Musical Styles (2004)How to Perform Impossible Rhythms (2011)Re-examining Czerny’s and Moscheles’s Metronome Marks for Beethoven’s Piano Sonatas (2017)
this work references cited by second hop

References

  • 1993The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model494 cited
  • 1996Anatomy of a Performance: Sources of Musical Expression169 cited
  • 1998A microcosm of musical expression. I. Quantitative analysis of pianists’ timing in the initial measures of Chopin’s Etude in E major151 cited
  • 1989Performance practices in classic piano music: their principles and applications140 cited
  • 2010The Magaloff Project: An Interim Report43 cited
  • 1990Evolution of the Keyboard Interface: The Bosendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards41 cited
  • 1999A microcosm of musical expression: II. Quantitative analysis of pianists’ dynamics in the initial measures of Chopin’s Etude in E major37 cited
  • 2001The virtual score : representation, retrieval, restoration27 cited
  • 1988Performance Practices in Classic Piano Music15 cited

Cited by

  • 2017An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music35 cited

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