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Projecting an Aria, Singing the Cinema : In search of a shared vocabulary for opera and film studies
11 references·0 citing·28 second hop
Projecting an Aria, Singing the Cinema : In search of a shared vocabulary for opera and film studies (2008)Projecting an Aria, Singing the Cinema : …Operatic Migrations: Transforming Works and Crossing Boundaries (2016)Operatic Migrations: Transfor…Vocal apparitions: the attraction of cinema to opera (2005)Vocal apparitions: the attrac…Silent film sound (2005)Silent film soundCinema's Illusions, Opera's Allure: The Operatic Impulse in Film (2002)Cinema's Illusions, Opera's A…Opera on Screen (2000)Opera on ScreenThe queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…Sound theory/sound practice (1993)Sound theory/sound practiceHighbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…Opera, Ideology and Film (1988)Opera, Ideology and FilmHighbrow/Lowbrow (1988)Highbrow/LowbrowIn search of Wagner (1981)In search of WagnerHenry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)Millennial Capitalism: First Thoughts on a Second Coming (2000)Alien-Nation: Zombies, Immigrants, and Millennial Capitalism (2002)Max Horkheimer and the Foundations of the Frankfurt School (2011)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Problems in comparative research: The example of omnivorousness (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation (2004)Interdisciplinary Opera Studies (2006)Opera's Screen Metamorphosis: The Survival of a Genre or a Matter of Translation? (2014)Soundscapes: Toward a Sounded Anthropology (2010)Media and the Imaginary in History (2014)House of Netflix: Streaming media and digital lore (2018)The Production of Culture Perspective (2004)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)Opera as Hypermedium (2021)The Source Text of Opera Surtitles (2004)Porn Style? Space and Time in Live Opera Videos (2010)Realism Redux: Staging ‘Billy Budd’ in the Age of Television (2019)‘Too much music’: the media of opera (2012)The operatic event: opera houses and opera audiences (2012)Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism (2015)
this work references cited by second hop

References

  • 1988Highbrow/Lowbrow1,097 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 1993Sound theory/sound practice570 cited
  • 2005Silent film sound158 cited
  • 1981In search of Wagner120 cited
  • 1988Opera, Ideology and Film85 cited
  • 2005Vocal apparitions: the attraction of cinema to opera55 cited
  • 2000Opera on Screen45 cited
  • 2016Operatic Migrations: Transforming Works and Crossing Boundaries40 cited
  • 2002Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film17 cited

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