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Combinative Chansons in the Dijon Chansonnier
16 references·0 citing·27 second hop
Combinative Chansons in the Dijon Chansonnier (1970)Combinative Chansons in the Dijon Chanson…The Italian Madrigal (2019)The Italian MadrigalLes Recherches de la France (2000)Les Recherches de la FranceThe waning of the Middle Ages (1999)The waning of the Middle AgesHarmonice Musices Odhecaton A (1978)Harmonice Musices Odhecaton AThe Chanson Albums of Marguerite of Austria (1965)The Chanson Albums of Marguer…Fifteenth century Basse Dances... (1964)Fifteenth century Basse Dance…The Josquin Acrostic Re-Examined (1963)The Josquin Acrostic Re-Exami…Music in the French Secular Theater, 1400-1550 (1963)Music in the French Secular T…Music in the French Secular Theater, 1400-1550 (1963)Music in the French Secular T…The "Chanson rustique": Popular Elements in the 15th- and 16th-Century Chanson (1959)The "Chanson rustique": Popul…European Literature and the Latin Middle Ages (1956)European Literature and the L…Music in the Renaissance (1954)Music in the RenaissanceEuropean Literature and the Latin Middle Ages (1954)European Literature and the L…„Denkmäler der Tonkunst in Österreich” (1953)„Denkmäler der Tonkunst in Ös…Harmonice Musices Odhecaton A (1942)Harmonice Musices Odhecaton AThree Centuries of French Poetic Theory (1328-1630) (1936)Three Centuries of French Poe…Handbook of Emotions (1993)Guided by the dark: From thanatopsistothanatourism (1996)Forbidden Words: Taboo and the Censoring of Language (2006)Tone System in the Secular Works of Guillaume Dufay (1965)Caron, Hayne, Compère: a transmission reassessment (1987)Versions of Imitation in the Renaissance (1980)The Book of Memory (2008)The Oxford Handbook of Names and Naming (2016)Discant, Counterpoint, and Harmony (1962)Art As Collective Action (1974)On Compositional Process in the Fifteenth Century (1987)Madrigal, Monody, and Monteverdi's "Via Naturale Alla Immitatione" (1981)Notes on the Origin of the Parisian Chanson (1982)Women and Music in Sixteenth-Century Ferrara (2018)Aulus Gellius (2003)The Cambridge History of Literary Criticism (2005)Instrumental performance in the nineteenth century (2012)The performer and the composer (2012)Vocal performance in the nineteenth century (2012)English Republicanism (1991)Grotius and Selden (1991)Humanism and political theory (1991)Josquin's Chansons: Ignored and Lost Sources (1976)Toward a Typology of the "Renaissance" Chanson (1988)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)Devotional literature (1999)The rise of London’s book-trade (1999)
this work references cited by second hop

References

  • 1954European Literature and the Latin Middle Ages1,225 cited
  • 1956European Literature and the Latin Middle Ages1,083 cited
  • 1999The waning of the Middle Ages369 cited
  • 1954Music in the Renaissance149 cited
  • 2000Les Recherches de la France143 cited
  • 1965The Chanson Albums of Marguerite of Austria92 cited
  • 2019The Italian Madrigal86 cited
  • 1963Music in the French Secular Theater, 1400-155085 cited
  • 1964Fifteenth century Basse Dances...39 cited
  • 1978Harmonice Musices Odhecaton A22 cited
  • 1963Music in the French Secular Theater, 1400-155017 cited
  • 1953„Denkmäler der Tonkunst in Österreich”14 cited
  • 1959The "Chanson rustique": Popular Elements in the 15th- and 16th-Century Chanson11 cited
  • 1963The Josquin Acrostic Re-Examined9 cited
  • 1936Three Centuries of French Poetic Theory (1328-1630)7 cited
  • 1942Harmonice Musices Odhecaton A7 cited

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