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“We are the Champions”: Masculinities, Sports and Popular Music
11 references·11 citing·36 second hop
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this work references cited by second hop

References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 2020Rabelais and his world3,421 cited
  • 1993The Cultural Studies Reader2,102 cited
  • 1986The Body and Society.755 cited
  • 1995Coming on Strong: Gender and Sexuality in Twentieth-Century Women's Sport.578 cited
  • 1994The Arena of Masculinity: Sports, Homosexuality, and the Meaning of Sex484 cited
  • 2005In the Game: Gay Athletes and the Cult of Masculinity392 cited
  • 1996Popular cultures: rock music, sport and the politics of pleasure132 cited
  • 2003Sports matters: race, recreation, and culture64 cited
  • 1992Elevating the Game: Black Men and Basketball63 cited
  • 2002Rock over the edge: transformations in popular music culture41 cited

Cited by

  • 2011From Riot Grrrls to roller derby? Exploring the relations between gender, music and sport73 cited
  • 2014Sonic branding in sport: A model for communicating brand identity through musical fit52 cited
  • 2010Dressed for success? The NBA's dress code, the workings of whiteness and corporate culture37 cited
  • 2009'Singing Songs, Making Places, Creating Selves:' Football Songs & Fan Identity at Sydney FC

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33 cited
  • 2010‘Shall we sing a song for you?’: mediation, migration and identity in football chants and fandom29 cited
  • 2013History without royalty? Queen and the strata of the popular music canon24 cited
  • 2011“Joga Bonito Pelo Mundo, Guerreiro”: Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup14 cited
  • 2016Popular music in Super Bowl commercials 2005-201414 cited
  • 2018Leverage and Activation of Sport Sponsorship Through Music Festivals11 cited
  • 2013Introduction: sport, music, identities9 cited
  • 2013‘See, the conquering hero comes! Sound the trumpets, beat the drums’: music and sport in England, 1880–19394 cited