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O ctatonicism in L uigi D allapiccola's T welve ‐N ote M usic
16 references·0 citing·33 second hop
O ctatonicism in L uigi D allapiccola's T welve ‐N ote M usic (2006)O ctatonicism in L uigi D allapiccola's T…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Stravinsky and the Octatonic: A Reconsideration (2002)Stravinsky and the Octatonic:…Voice-Leading Spaces (1998)Voice-Leading SpacesSome Ideas about Voice-Leading between PCSets (1998)Some Ideas about Voice-Leadin…Classical Form (1998)Classical FormStravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Musical meaning in Beethoven:…An Introduction to the Music of Milton Babbitt (1994)An Introduction to the Music …Debussy and the Octatonic (1991)Debussy and the OctatonicSome Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One (1988)Some Implications of the Pitc…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…The Structure of Atonal Music (1974)The Structure of Atonal MusicStravinsky: Chronicle of a Friendship (1972)Stravinsky: Chronicle of a Fr…Problems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Set Structure as a Compositional Determinant (1961)Set Structure as a Compositio…TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)TWELVE-TONE INVARIANTS AS COM…The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)Perspectives of New Music (1963)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Voice Leading in Set-Class Space (2005)The Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)Art music from 1800 to 1860 (1998)Cross-Type Transformations and the Path Consistency Condition (2007)Formal Structures in Post-Tonal Music (2015)Some Combinational Resources of Equal-Tempered Systems (1967)Music theory and mathematics (2002)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Music Theory and 'Good Comparison': A Viennese Perspective (1989)Banjo Transformations and Bluegrass Rhythm (2009)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Scale Networks and Debussy (2004)Extraordinary Measures (2011)Gestural Imaginaries (2019)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)Atonal prolongational structure (1989)(Ac)cumulative Form in Pop-Rock Music (2004)Metaphor and music (2008)Action and Agency Revisited (2013)The End(s) of Genre (2013)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical Form529 cited
  • 1994Musical meaning in Beethoven: markedness, correlation, and interpretation350 cited
  • 1996Stravinsky and the Russian Traditions306 cited
  • 1974The Structure of Atonal Music297 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1960TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS115 cited
  • 1994An Introduction to the Music of Milton Babbitt111 cited
  • 1961Set Structure as a Compositional Determinant87 cited
  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 1998Voice-Leading Spaces63 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited
  • 1991Debussy and the Octatonic52 cited
  • 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One51 cited
  • 1972Stravinsky: Chronicle of a Friendship46 cited

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