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The actor as parallel text in Bombay cinema
6 references·4 citing·30 second hop
The actor as parallel text in Bombay cinema (1989)The actor as parallel text in Bombay cine…Towards A Theoretical Critique of Bombay Cinema (1985)Towards A Theoretical Critiqu…Orientalism reconsidered (1985)Orientalism reconsideredIndian Cinema: Pleasures and Popularity (1985)Indian Cinema: Pleasures and …The Archaeology of Knowledge (1984)The Archaeology of KnowledgeVisible Fictions: Cinema: Television: Video (1982)Visible Fictions: Cinema: Tel…Archaeology of Knowledge (1970)Archaeology of KnowledgeAging, Sports and Visual Texts: Gerontological Ethos in Akshay Roy’s Vijay 69 (2026)Aging, Sports and Visual Text…Reconceptualising the (in) visible aging self of women in select Bengali films (2021)Reconceptualising the (in) vi…'As You Desire Me': Reading 'The Divine Garbo' Through Movement, Silence and the Sublime (2006)'As You Desire Me': Reading '…Cinematically speaking: The impact of orality on Indian popular film (2001)Cinematically speaking: The i…Taxonomy of Educational Objectives: The Classification of Educational Goals, Handbook I: Cognitive Domain (1956)The Gutenberg Galaxy: The Making of Typographic Man (1963)Orality and Literacy (1982)Image-Music-Text (1977)Cinema 1: The Movement-Image (1987)The Work of Art in the Age of Mechanical Reproduction (2007)The Female Grotesque: Risk, Excess and Modernity (1995)The Rejected Body: Feminist Philosophical Reflections on Disability (1996)Figuring Age: Women, Bodies, Generations (2000)Successful Aging (1990)Challenging aging stereotypesStrategies for creating a more active society (2003)Contemporary Perspectives on Ageism (2018)Narrative Complexity in Contemporary American Television (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)Ecocinema Theory and Practice 2 (2022)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)The Practice Turn in Contemporary Theory (2005)Methodology of the Oppressed (2010)Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema (2003)Nationalism and Hindi Cinema: Narrative Strategies in Fanaa (2009)Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film (2013)The diaspora comes home: Disciplining desire in DDLJ (1998)Wife/mother/daughter-in-law: multiple avatars of homemaker in 1990s Indian advertising (1998)Is There an Indian Way of Filmmaking? (2007)Whiteness: A strategic rhetoric (1995)Interdiscursivity in professional communication (2010)Communication Theory at the Center: Ventriloquism and the Communicative Constitution of Reality (2012)On the Edge of Empires: Flexible Citizenship among Chinese in Diaspora (1993)Media, Racism and Islamophobia: The Representation of Islam and Muslims in the Media (2007)‘Whispers and shadows’: A critical review of the professional identity literature with respect to minority physicians (2020)
this work references cited by second hop

References

  • 1970Archaeology of Knowledge11,463 cited
  • 1982Visible Fictions: Cinema: Television: Video600 cited
  • 1984The Archaeology of Knowledge323 cited
  • 1985Indian Cinema: Pleasures and Popularity157 cited
  • 1985Orientalism reconsidered156 cited
  • 1985Towards A Theoretical Critique of Bombay Cinema30 cited

Cited by

  • 2021Reconceptualising the (in) visible aging self of women in select Bengali films5 cited
  • 2006'As You Desire Me': Reading 'The Divine Garbo' Through Movement, Silence and the Sublime5 cited
  • 2001Cinematically speaking: The impact of orality on Indian popular film5 cited
  • 2026Aging, Sports and Visual Texts: Gerontological Ethos in Akshay Roy’s Vijay 690 cited

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