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This article examines the relationship between the films of Richard Linklater and Hollywood. These films expand Hollywood's capacity for producing mentally stimulating alternatives to formulaic entertainment. Linklater's independent and studio films reflect the changed relationship between these spheres, while pursuing a utopian quest for alternatives to purely physical consumer gratification.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.