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Summary Research into the history of Canarian rock art presents major problems, both theoretical and methodological. This paper analyses the evolution of research into Canarian rock art from a historical and diachronic perspective. It also addresses the connection established between the Canary Islands, North Africa and the Atlantic area, focusing on the theoretical models developed to explain these relationships. The analysis therefore covers a period of seven centuries (fourteenth–twentieth centuries).
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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