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The New English Keyboard School: A Second “Golden Age”
1 references·8 citing·12 second hop
The New English Keyboard School: A Second “Golden Age” (2001)The New English Keyboard School: A Second…Has modernism failed (1984)Has modernism failedTHE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE (2015)THE MUSIC OF LAURENCE CRANE A…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)The Contemporary Pianist (1969)In re: ‘Experimental Music’ (2012)Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: (2014)The Community of Inquiry: An Approach to Collaborative Learning (1990)A Rough Guide to Environmental Art (2008)Lessons Learned from Three Projects Linking Social Work, the Arts, and Humanities (2012)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)
this work references cited by second hop

References

  • 1984Has modernism failed89 cited

Cited by

  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2015THE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE3 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited

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