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Writing, painting and sketching at Dunhuang: assessing the materiality and function of early Tibetan manuscripts and ritual items
11 references·1 citing·34 second hop
Writing, painting and sketching at Dunhuang: assessing the materiality and function of early Tibetan manuscripts and ritual items (2014)Writing, painting and sketching at Dunhua…The Archaeology of Tibetan Books (2014)The Archaeology of Tibetan Bo…WITNESSES FOR TIBETAN CRAFTSMANSHIP: BRINGING TOGETHER PAPER ANALYSIS, PALAEOGRAPHY AND CODICOLOGY IN THE EXAMINATION OF THE EARLIEST TIBETAN MANUSCRIPTS (2012)WITNESSES FOR TIBETAN CRAFTSM…μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)μ-XRF/μ-RS vs. SR μ-XRD for p…The Silk Road--Trade, Travel, War and Faith (2004)The Silk Road--Trade, Travel,…ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)ArtTAX – a new mobile spectro…THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY* (2000)THE CHALLENGE OF ‘TECHNOLOGIC…Formulas of Creativity: Artist's Sketches and Techniques of Copying at Dunhuang (2000)Formulas of Creativity: Artis…The Characterization of Pigments Based on Carbon (1983)The Characterization of Pigme…Catalogue of the Tibetan Manuscripts from Tun-huang in the India Office Library (1962)Catalogue of the Tibetan Manu…Orpiment and Realgar in Chinese Technology and Tradition (1955)Orpiment and Realgar in Chine…Papermaking: The History and Technique of An Ancient Craft (1943)Papermaking: The History and …Future directions of spiritual care where spiritual care providers do not exist: a qualitative study (2025)Future directions of spiritua…Paper Before Print: The History and Impact of Paper in the Islamic World (2001)The Impact of Buddhism on Chinese Material Culture (2003)Material properties of Islamic paper (2016)Paper fragments from the Tibetan Samye Monastery: Clues for an unusual sizing recipe implying wheat starch and milk in early Tibetan papermaking (2021)VERDIGRIS AND COPPER RESINATE (1970)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)X-ray fluorescence spectrometry in art and archaeology (2000)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings (2013)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Outline of a Theory of Practice (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)The Social Life of Things (1986)Archaeological Theory and Scientific Practice (2001)Strength, Toughness and Thermal Shock Resistance of Ancient Ceramics, and Their Influence On Technological Choice (2001)Human‐thing entanglement: towards an integrated archaeological perspective (2011)Book History in Premodern China: The State of the Discipline I (2007)Early Buddhist Transmission and Trade Networks (2011)Textile technology in Nepal in the 5th-7th centuries CE: the case of Samdzong (2016)The Cambridge History of the Book in Britain (2008)Deacidification for the conservation and preservation of paper-based works: A review (2010)Paper conservation methods: a literature review (2015)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Analytical chemistry in the field of cultural heritage (2015)THE COMPOSITION OF THE GUAN WULIANGSHOUFO-JING: SOME BUDDHIST AND JAINA PARALLELS TO ITS NARRATIVE FRAME (1997)The development of perfection: The interiorization of buddhist ritual in the eighth and ninth centuries (2004)Multi-analytical investigation into painting materials and techniques: the wall paintings of Abuna Yemata Guh church (2016)The Road to Redemption: Killing Snakes in Medieval Chinese Buddhism (2019)More than meets the eye: Fibre and Paper Analysis of the Chinese Manuscripts from the Silk Roads (2016)Investigation of painting technique of Coptic icon by integrated analytical methods: imaging, spectroscopic and chemometric methods (2019)Identification of black pigments on prehistoric Southwest American potsherds by infrared and Raman microscopy (2004)Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment (2011)The Cambridge History of the Book in Britain (2011)
this work references cited by second hop

References

  • 1943Papermaking: The History and Technique of An Ancient Craft466 cited
  • 2000THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY*368 cited
  • 2001ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects160 cited
  • 1983The Characterization of Pigments Based on Carbon115 cited
  • 2004The Silk Road--Trade, Travel, War and Faith89 cited
  • 2008μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts87 cited
  • 2014The Archaeology of Tibetan Books38 cited
  • 2012WITNESSES FOR TIBETAN CRAFTSMANSHIP: BRINGING TOGETHER PAPER ANALYSIS, PALAEOGRAPHY AND CODICOLOGY IN THE EXAMINATION OF THE EARLIEST TIBETAN MANUSCRIPTS26 cited
  • 1962Catalogue of the Tibetan Manuscripts from Tun-huang in the India Office Library25 cited
  • 1955Orpiment and Realgar in Chinese Technology and Tradition22 cited
  • 2000Formulas of Creativity: Artist's Sketches and Techniques of Copying at Dunhuang5 cited

Cited by

  • 2025Future directions of spiritual care where spiritual care providers do not exist: a qualitative study14 cited

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