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When Women Play: The Relationship between Musical Instruments and Gender Style
7 references·10 citing·33 second hop
When Women Play: The Relationship between Musical Instruments and Gender Style (2013)When Women Play: The Relationship between…The Origin of the Family, Private Property and the State (2021)The Origin of the Family, Pri…Women’s Orchestras in the United States 1925–45 (1986)Women’s Orchestras in the Uni…In the Tradition: Grass Dance Musical Style and Female Pow-Wow Singers (1986)In the Tradition: Grass Dance…The Song Repertoire of Four Shoshone Women: A Reflection of Cultural Movements and Sex Roles (1982)The Song Repertoire of Four S…Female Power and Male Dominance: On the Origins of Sexual Inequality. (1982)Female Power and Male Dominan…The Use and Abuse of Anthropology: Reflections on Feminism and Cross-Cultural Understanding (1980)The Use and Abuse of Anthropo…The Social Relation of the Sexes: Methodological Implications of Women's History (1976)The Social Relation of the Se…Performing sex: The representation of male and female musicians in three genres of music performance (2022)Performing sex: The represent…Zafè Fatra(The Affair of Trash) and the Affair of Scholarly Engagement (2021)Zafè Fatra(The Affair of Tras…Transforming Ethnomusicology Volume I (2021)Transforming Ethnomusicology …Sincerely Outspoken (2021)Sincerely OutspokenEngaged Activist Research (2021)Engaged Activist Research“How Is That Going to Help Anyone?” (2021)“How Is That Going to Help An…Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras (2019)Orchestrated Sex: The Represe…«Jubel og Kjærlighed, Fortvivlelse ogVanvid, Alt laa i dette tonende Væld» (2019)«Jubel og Kjærlighed, Fortviv…We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music (2015)We are not a female band, we …Back to (the music of) the future: Aesthetics of technology in Berlioz'sEuphoniaandDamnation de Faust (2010)Back to (the music of) the fu…A Human Monstrosity (1913)The Crow Indians (1956)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)Making and Singing Pow-Wow Songs: Text, Form, and the Significance of Culture-Based Analysis (2000)Powwows, Intertribalism, and the Value of Competition (2007)Music of the First Nations: tradition and innovation in Native North America (2009)Music and gender: Can music raise our awareness? (1994)The Rise of a Jazz Art World (2002)Playing Out: Women Instrumentalists and Women's Ensembles in Contemporary Tunisia. (2010)The Christian Science Monitor (2011)The Sex-Stereotyping of Musical Instruments (1978)A Biographical Study of the Life-Span Development of Professional Musicians (1990)Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians (2000)Evolutionary origins of music. Classical and recent hypotheses (2021)Teacher expectation effects on vocal and instrumental performance: A focus on student gender (2023)Recent discoveries on the acquisition of the highest levels of human performance (2025)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Homo sacer: sovereign power and bare life (1999)The Presentation of Self in Everyday Life. (1956)Dipesh Chakrabarty . Provincializing Europe: Postcolonial Thought and Historical Difference. (Princeton Studies in Culture/Power/History.) Princeton: Princeton University Press. 2000. Pp. xii, 301. Cloth $55.00, paper $16.95 (2001)From Servitude to Service Work: Historical Continuities in the Racial Division of Paid Reproductive Labor (1992)The Feminist Standpoint: Developing the Ground for a Specifically Feminist Historical Materialism (2005)On the Origins of Gender Roles: Women and the Plough * (2013)A cross-cultural analysis of the behavior of women and men: Implications for the origins of sex differences. (2002)The Origins of Sex Differences in Human Behavior: Evolved Dispositions versus Social Roles (2003)Sociosexuality from Argentina to Zimbabwe: A 48-nation study of sex, culture, and strategies of human mating (2005)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1988)The Post-Colonial Studies Reader (1996)Spatializing States: Toward an Ethnography of Neoliberal Governmentality (2002)Boundaries, Negotiation, Consciousness: Reconceptualizing Gender Relations (1985)Between Speech and Silence: (1991)Gender, Institutions and Power: A Critical Review (2007)
this work references cited by second hop

References

  • 2021The Origin of the Family, Private Property and the State2,729 cited
  • 1980The Use and Abuse of Anthropology: Reflections on Feminism and Cross-Cultural Understanding657 cited
  • 1982Female Power and Male Dominance: On the Origins of Sexual Inequality.457 cited
  • 1976The Social Relation of the Sexes: Methodological Implications of Women's History231 cited
  • 1986In the Tradition: Grass Dance Musical Style and Female Pow-Wow Singers22 cited
  • 1986Women’s Orchestras in the United States 1925–4518 cited
  • 1982The Song Repertoire of Four Shoshone Women: A Reflection of Cultural Movements and Sex Roles7 cited

Cited by

  • 2019Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras34 cited
  • 2021Engaged Activist Research18 cited
  • 2021“How Is That Going to Help Anyone?”18 cited
  • 2021Sincerely Outspoken17 cited
  • 2022Performing sex: The representation of male and female musicians in three genres of music performance15 cited
  • 2015We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music11 cited
  • 2021Zafè Fatra(The Affair of Trash) and the Affair of Scholarly Engagement3 cited

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2021
Transforming Ethnomusicology Volume I
3 cited
  • 2010Back to (the music of) the future: Aesthetics of technology in Berlioz'sEuphoniaandDamnation de Faust3 cited
  • 2019«Jubel og Kjærlighed, Fortvivlelse ogVanvid, Alt laa i dette tonende Væld»2 cited