‘Not Necessarily Mahler’: Remix, Samples and Borrowing in the Age of Wiki

Abstract

This article examines philosophical and creative aspects of digital musical culture in the context of the Berlin Philharmonic's 2011 open competition to create remixes of Mahler's First Symphony. Issues of social mediation, hybridity, history, textuality, sampling and borrowing raised by the submitted entries are investigated with reference to theories of Bourriaud, Deleuze, Genette and Goodman.

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