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Opera Salaries in Eighteenth-Century London
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Opera Salaries in Eighteenth-Century London (1993)Opera Salaries in Eighteenth-Century Lond…A General History of the Science and Practice of Music (2011)A General History of the Scie…Italian Opera and Arson in Late Eighteenth-Century London (1989)Italian Opera and Arson in La…A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800. (1975)A Biographical Dictionary of …The Letters of Mozart and His Family. (1966)The Letters of Mozart and His…A General History of the Science and Practice of Music (1966)A General History of the Scie…The marketing of concerts in London 1672–1749 (2020)The marketing of concerts in …Copyright and the Value of Performance, 1770–1911 (2018)Copyright and the Value of Pe…The rival sirens: performance and identity on Handel's operatic stage (2014)The rival sirens: performance…The Rival Sirens (2013)The Rival SirensCastrati and impresarios in London: two mid-eighteenth-century lawsuits (2012)Castrati and impresarios in L…Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined (2009)Handel at a Crossroads: His 1…Amico (2009)AmicoThe Economics of Culture in London, 1660?1740 (2006)The Economics of Culture in L…The Economics of Theatrical Dance in Eighteenth-Century London (2003)The Economics of Theatrical D…Frederick Gye and "The Dreadful Business of Opera Management" (1995)Frederick Gye and "The Dreadf…United Company Finances, 1682–1692 (1981)NOTES ON SOME EIGHTEENTH‐CENTURY PORTRAIT PRICES (1983)Patronizing Handel, inventing audiences. The intersections of class, money, music and history (2000)Daniel Defoe as Satirist (2007)Copyright, authors and censorship (2009)The reprint trade (2009)The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (1985)The New Grove dictionary of opera (1993)The New Grove dictionary of music and musicians (2001)To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America (2008)Ancients and Moderns in the Renaissance: Rhetoric and History in Accolti's Dialogue on the Preeminence of Men of his Own Time (1982)The Anthropology of Theater and Spectacle (1993)The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato (2003)From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber (2015)Ways to Possess a Singer in 1830s London (2017)How To Do Things With Words (1975)Unmarked: The Politics of Performance (1994)3.2. MARXISM AND LITERATURE (2006)14. ‘Photography VS the Press’ (2021)Circulation and Control (2021)MUSIC COPYRIGHT IN BRITAIN TO 1800 (1986)The Cambridge History of the Book in Britain (2009)The lure of aria, procession and spectacle: opera in eighteenth-century London (2009)Towards a bibliometric analysis of the surviving record, 1701–1800 (2009)Biographie universelle : ancienne et moderne (1854)Byron's Letters and Journals (1982)Listening in Paris (1995)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890 (1988)Biblical scholarship and literary criticism (1997)The Cambridge History of Literary Criticism (1997)Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s) (1998)Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater (2004)Civilizing Taste: “Sandman Joe,” the Bawdy Ballad, and Metropolitan Improvement (2015)Texture as a Sign in Classic and Early Romantic Music (1982)On the economics of musical composition in Mozart's Vienna (1994)The “Mozart Effect” on Epileptiform Activity (1998)Instrumental performance in the nineteenth century (2012)Performance in the ‘long eighteenth century’: an overview (2012)‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND (2016)
this work references cited by second hop

References

  • 1966The Letters of Mozart and His Family.246 cited
  • 2011A General History of the Science and Practice of Music178 cited
  • 1975A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800.108 cited
  • 1989Italian Opera and Arson in Late Eighteenth-Century London95 cited
  • 1966A General History of the Science and Practice of Music56 cited

Cited by

  • 2006The Economics of Culture in London, 1660?1740140 cited
  • 2018Copyright and the Value of Performance, 1770–191135 cited
  • 2013The Rival Sirens29 cited
  • 2009Amico21 cited
  • 1995Frederick Gye and "The Dreadful Business of Opera Management"19 cited
  • 2003The Economics of Theatrical Dance in Eighteenth-Century London8 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2009Handel at a Crossroads: His 1737-1738 and 1738-1739 Seasons Re-Examined6 cited
  • 2012Castrati and impresarios in London: two mid-eighteenth-century lawsuits4 cited
  • 2020The marketing of concerts in London 1672–17493 cited

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