SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
American Visions: The Epic History of Art in America.
0 references·11 citing·35 second hop
American Visions: The Epic History of Art in America. (1998)American Visions: The Epic History of Art…Connecting art and development: studying the role of city art on bridges in forwarding urban sustainability (2024)Connecting art and developmen…Imagined Democracies: Necessary Political Fictions (2012)Imagined Democracies: Necessa…Are Art Auction Estimates Biased? (2012)Are Art Auction Estimates Bia…An artist's experience in using an evolutionary algorithm to produce an animated artwork (2011)An artist's experience in usi…Can’t See the Forest: Using an Evolutionary Algorithm to Produce an Animated Artwork (2010)Can’t See the Forest: Using a…The Blue Tattoo: The Life of Olive Oatman (2009)The Blue Tattoo: The Life of …9 The International Mobility of Cultural Talent (2008)9 The International Mobility …The Visual Arts in Post‐1945 America (2006)The Visual Arts in Post‐1945 …Words about Images: Coordinating Community in Amateur Photography (2005)Words about Images: Coordinat…Modernism in the Black Diaspora: Langston Hughes and the Broken Cubes of Picasso (2002)Modernism in the Black Diaspo…Figments for Sale: Marketing, Imagination and the Artistic Imperative (2000)Figments for Sale: Marketing,…Evolutionary L-systems (2008)Evolving Mondrian-Style Artworks (2017)Decoding Advertisements: Ideology and Meaning in Advertising (1978)The Romantic Ethic and the Spirit of Modern Consumerism (1989)Chronicles of the Celtic Marketing Circle, Part I: The Paradise Parchment (2000)The Closing of the American Mind (2021)Migration unemployment and development: a two-sector analysis. (1970)The third wave: democratization in the late twentieth century (1992)The Rise of the Creative Class (2002)The Artworld (1964)Visual Pleasure and Narrative Cinema (1975)An Introduction to Visual Culture (2023)Situated Learning (1991)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)Situated Learning: Legitimate Peripheral Participation. (1994)Everyday information organization practices in the pursuit of leisure: The information organization, management, and keeping activities of amateur art photographers (2008)Black Marxism: The Making of the Black Radical Tradition (1985)Yearning: Race, Gender, and Cultural Politics (1990)The Black Atlantic: Modernity and Double Consciousness. (1997)A Theory of Auctions and Competitive Bidding (1982)How Auctions Work for Wine and Art (1989)Art as an Investment and the Underperformance of Masterpieces (2002)Artwork characteristics and prices in the New Zealand secondary art market, 1988–2011 (2016)Heterogeneity in Auction Price Distributions for Australian Indigenous Artists (2020)Art by computer program == programmer creativity (2006)Handbook of the Indians of California (1925)Marble Queens and Captives: Women in Nineteenth-Century American Sculpture. (1991)Under the Banner of Heaven: A Story of Violent Faith (2003)3 The Variability of the Human Experience: Marginal People and the Creation of Power (2016)The Presentation of Self in Everyday Life. (1956)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagining middle powers (2013)Dimensionen von Big Data: Eine politikwissenschaftliche Systematisierung (2018)Individuality and Beyond (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Imagined Democracies: Necessary Political Fictions93 cited
  • 2009The Blue Tattoo: The Life of Olive Oatman34 cited
  • 2000Figments for Sale: Marketing, Imagination and the Artistic Imperative24 cited
  • 2005Words about Images: Coordinating Community in Amateur Photography19 cited
  • 2002Modernism in the Black Diaspora: Langston Hughes and the Broken Cubes of Picasso15 cited
  • 2006The Visual Arts in Post‐1945 America14 cited
  • 2012Are Art Auction Estimates Biased?13 cited
  • 2010Can’t See the Forest: Using an Evolutionary Algorithm to Produce an Animated Artwork8 cited
  • 20089 The International Mobility of Cultural Talent6 cited
  • 2011An artist's experience in using an evolutionary algorithm to produce an animated artwork5 cited
  • 2024Connecting art and development: studying the role of city art on bridges in forwarding urban sustainability4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work