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Destination Unknown: Jean-François Lyotard and Orienting Musical Affect
11 references·1 citing·32 second hop
Destination Unknown: Jean-François Lyotard and Orienting Musical Affect (2012)Destination Unknown: Jean-François Lyotar…L'inhumain : causeries sur le temps (2014)L'inhumain : causeries sur le…The Turn to Affect: A Critique (2011)The Turn to Affect: A CritiqueFRENCH THEORY: HOW FOUCAULT, DERRIDA, DELEUZE, & CO. TRANSFORMED THE INTELLECTUAL LIFE OF THE UNITED STATES (2010)FRENCH THEORY: HOW FOUCAULT, …Music and Postmodernity (2009)Music and PostmodernityProduction of presence: what meaning cannot convey (2004)Production of presence: what …Music—Drastic or Gnostic? (2004)Music—Drastic or Gnostic?Misère de la philosophie (2000)Misère de la philosophieMusic/ideology : resisting the aesthetic (1998)Music/ideology : resisting th…Libidinal Economy (1993)Libidinal EconomyThe inhuman: reflections on time (1992)The inhuman: reflections on t…The Differend: Phrases in Dispute (1983)The Differend: Phrases in Dis…Drastic Allure: Timbre Between the Sublime and the Grain (2017)Drastic Allure: Timbre Betwee…Upheavals of Thought (2001)Parables for the Virtual (2002)Are Emotions Natural Kinds? (2006)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)Theorizing emotions in world politics (2014)Trends in the Turn to Affect (2014)Lipstick traces: a secret history of the twentieth century (1990)Analysing Musical Multimedia (1998)Choreomusical Conversations: Facing a Double Challenge (2011)Actor-Networks in Music History: Clarifications and Critiques (2014)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Postmodernity and the Politics of Multiculturalism: The Lyotard-Habermas Debate over Social Theory (1992)Feminist international relations: an unfinished journey (2002)Assetization (2020)Towards dialectic listening: Quotation andmontagein the work of Luigi Nono (1999)Cultural studies — Forschungsfelder und Begriffe (2011)The “Prehistory” of the Sublime in Early Modern France (2012)An Introduction to Varieties of Capitalism (2001)Varieties of Capitalism (2001)Inclusion and Democracy (2002)CULTURAL CONSIDERATIONS IN COMPUTER SUPPORTED COLLABORATIVE LEARNING (2008)Extending critical performativity (2016)Beyond the Stable Image of Institutions: Using Institutional Analysis to Tackle Classic Questions in Institutional Theory (2019)1 Constitutional Amendments: “Materializing” Organizational Communication (2009)The Accomplishment of Authority Through Presentification (2009)Tragic Pleasure from Homer to Plato (2017)The ‘girl effect’: liberalism, empowerment and the contradictions of development (2014)Withdrawing from atmosphere: An ontology of air partitioning and affective engineering (2015)Time Machines (2017)Disciplining Deconstruction (For Music Analysis) (1998)THE TRADITION OF ALL THE DEAD GENERATIONS (2007)Making a Home of The Society for Music Theory, Inc. (2022)
this work references cited by second hop

References

  • 1983The Differend: Phrases in Dispute1,785 cited
  • 2004Production of presence: what meaning cannot convey1,215 cited
  • 2011The Turn to Affect: A Critique1,175 cited
  • 1992The inhuman: reflections on time862 cited
  • 2004Music—Drastic or Gnostic?550 cited
  • 1993Libidinal Economy179 cited
  • 2010FRENCH THEORY: HOW FOUCAULT, DERRIDA, DELEUZE, & CO. TRANSFORMED THE INTELLECTUAL LIFE OF THE UNITED STATES170 cited
  • 2014L'inhumain : causeries sur le temps103 cited
  • 1998Music/ideology : resisting the aesthetic32 cited
  • 2009Music and Postmodernity20 cited
  • 2000Misère de la philosophie8 cited

Cited by

  • 2017Drastic Allure: Timbre Between the Sublime and the Grain5 cited

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