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PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY: Sharing nan goldin and jean-luc nancy
11 references·1 citing·26 second hop
PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY: Sharing nan goldin and jean-luc nancy (2001)PHOTOGRAPHY AND THE EXPOSURE OF COMMUNITY…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Being Singular Plural (2000)Being Singular PluralThe Passionate Camera: Photography and Bodies of Desire (1998)The Passionate Camera: Photog…Concepts of modern art : from Fauvism to Postmodernism (1994)Concepts of modern art : from…Gender Trouble: Feminism and the Subversion of Identity (1991)Gender Trouble: Feminism and …The inoperative community (1990)The inoperative communityThe Critical Image: Essays on Contemporary Photography (1990)The Critical Image: Essays on…The Ballad of Sexual Dependency (1987)The Ballad of Sexual Dependen…The Originality of the Avant-garde and other Modernist Myths (1986)The Originality of the Avant-…Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Hegemony and Socialist Strate…The Traffic in Photographs (1981)The Traffic in PhotographsSTRUCTURAL FILM: (2008)STRUCTURAL FILM:Deliberative Democracy and Beyond (2002)Reframing Public Policy (2003)Coloniality of Power, Eurocentrism, and Latin America (2008)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)What's the Point of an Index? or, Faking Photographs (2008)Seeing things: Violence, voyeurism and the camera (2014)A Postcapitalist Politics (2006)Visible Identities: Race, Gender, and the Self (2006)Indigenous knowledge and science revisited (2007)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)Qualitative methods for health research (2009)Recognizing Lincoln: Image Vernaculars in Nineteenth-Century Visual Culture (2005)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Representing HIV/AIDS in Africa: Pluralist Photography and Local Empowerment (2007)A LIFE MORE PHOTOGRAPHIC (2008)Thinking Sex (2012)Contemporary Art and the Politics of Aesthetics (2009)The Cambridge History of Modernism (2017)Radical Worlds: The Anthropology of Incommensurability and Inconceivability (2001)Toward a Network Sociality (2001)Beyond the `Sexualization of Culture' Thesis: An Intersectional Analysis of `Sixpacks',`Midriffs' and `Hot Lesbians' in Advertising (2009)Looking for Jiro Onuma (2014)This Charming Butch: The male pop idol, girl fans, and lesbian (in)visibility (2016)
this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1985Hegemony and Socialist Strategy: Towards a Radical Democratic Politics9,270 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1990The inoperative community2,274 cited
  • 2000Being Singular Plural1,530 cited
  • 1986The Originality of the Avant-garde and other Modernist Myths601 cited
  • 1981The Traffic in Photographs244 cited
  • 1998The Passionate Camera: Photography and Bodies of Desire180 cited
  • 1990The Critical Image: Essays on Contemporary Photography139 cited
  • 1987The Ballad of Sexual Dependency95 cited
  • 1994Concepts of modern art : from Fauvism to Postmodernism88 cited

Cited by

  • 2008STRUCTURAL FILM:25 cited

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