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Data fusion and dual-domain classification analysis of pigments studied in works of art
13 references·3 citing·42 second hop
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of art using a portable EDXRF spectrometer (2002)Analysis of pigments from Spa…X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence spectromet…Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach (2000)Spectroscopic Examination of …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Ochre-differentiation through…Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Analysis of pigments and inks…Analysis of art objects using a portable x-ray fluorescence spectrometer (2000)Analysis of art objects using…Data Fusion Approach to Simultaneously Evaluate the Degradation Process Caused by Ozone and Humidity on Modern Paint Materials (2022)Data Fusion Approach to Simul…Influence of composition and roughness on the pigment mapping of paintings using mid-infrared fiberoptics reflectance spectroscopy (mid-IR FORS) and multivariate calibration (2014)Influence of composition and …Analytical approach to the conservation of the ancient Egyptian manuscript “Bakai Book of the Dead”: a case study (2007)Analytical approach to the co…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance (2002)Raman spectroscopic study of the basic copper sulphates—implications for copper corrosion and ‘bronze disease’ (2003)Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius) (2010)Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy) (2012)Recent progress in instrumental techniques for architectural heritage materials (2019)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Raman microscopy: application to the identification of pigments on 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Techniques in Cultural Heritage Conservation: A Survey (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Clay and iron oxide pigments in the history of painting (2003)Raman microscopy in archaeological science (2004)Painting Materials: A Short Encyclopedia (2011)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)The Vercelli Gospels laid open: an investigation into the inks used to write the oldest Gospels in Latin (2008)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Ancient Egyptian materials and technology (2000)Micro‐Raman spectroscopic study of pottery fragments from the Lapatsa tomb, Cyprus, ca 2500 BC (2005)On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles (2006)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)The application of LIBS for the analysis of archaeological ceramic and metal artifacts (2002)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Development and optimisation of a portable micro-XRF method for in situ multi-element analysis of ancient ceramics (2005)A new programme of obsidian characterization at Çatalhöyük, Turkey (2006)A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects (2008)
this work references cited by second hop

References

  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2000Analysis of art objects using a portable x-ray fluorescence spectrometer112 cited
  • 2000Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry103 cited
  • 2004Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy94 cited
  • 2004Raman spectroscopy in art and archaeology86 cited
  • 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
  • 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
  • 2003Non-destructive in situ determination of pigments in 15th century wall paintings by Raman microscopy60 cited
  • 2002Caput mortuum: spectroscopic and structural studies of an ancient pigment56 cited
  • 2000Spectroscopic Examination of Two Egyptian Masks: A Combined Method Approach42 cited
  • 2002Analysis of pigments from Spanish works of art using a portable EDXRF spectrometer42 cited

Cited by

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2007
Analytical approach to the conservation of the ancient Egyptian manuscript “Bakai Book of the Dead”: a case study
25 cited
  • 2014Influence of composition and roughness on the pigment mapping of paintings using mid-infrared fiberoptics reflectance spectroscopy (mid-IR FORS) and multivariate calibration18 cited
  • 2022Data Fusion Approach to Simultaneously Evaluate the Degradation Process Caused by Ozone and Humidity on Modern Paint Materials14 cited