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Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky
8 references·6 citing·35 second hop
Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky (1987)Chez Pétrouchka: Harmony and Tonality "ch…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…The Music of Igor Stravinsky (1983)The Music of Igor StravinskyBasic atonal theory (1980)Basic atonal theoryStravinsky in Pictures and Documents (1979)Stravinsky in Pictures and Do…Stravinsky in Pictures and Documents (1979)Stravinsky in Pictures and Do…Perspectives on Schoenberg and Stravinsky (1969)Perspectives on Schoenberg an…Expositions and Developments (1962)Expositions and DevelopmentsConversations with Igor Stravinsky (1959)Conversations with Igor Strav…On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)On Rimsky-Korsakov’s False (H…Special Collections (2016)Special CollectionsA Dialogue Begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes (2010)A Dialogue Begins: Nadia Boul…Stravinsky and the Octatonic: The Sounds of Stravinsky (2003)Stravinsky and the Octatonic:…Ravel's "Russian" Period: Octatonicism in His Early Works, 1893-1908 (1999)Ravel's "Russian" Period: Oct…Bartók's Octatonic Strategies: A Motivic Approach (1991)Bartók's Octatonic Strategies…The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)College Music Symposium (1962)Musical Form and Musical Performance (1969)Generalized Musical Intervals and Transformations (1988)Debussy: The Origins of a Method (2004)O ctatonicism in L uigi D allapiccola's T welve ‐N ote M usic (2006)Bartók's Polymodality (2015)The Structure of Atonal Music (1973)A geometry of music: harmony and counterpoint in the extended common practice (2011)Harmonic qualities in Debussy's “Les sons et les parfums tournent dans l'air du soir” (2017)Stylistic information in pitch-class distributions (2019)Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities (2020)Those Images That Yet Fresh Images Beget (1983)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)The Emancipation of Dissonance: Schoenberg's Two Practices of Composition (2010)Ida Rubinstein: A Twentieth-Century Cleopatra (1988)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Stravinsky and the Octatonic: A Reconsideration (2002)Acquiring the phonology of lexical tone in infancy (2000)The orchestral revolution: Haydn and the technologies of timbre (2013)Performance Practice in the Music of Steve Reich (2016)Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)Running in Place: Sketches and Superimposition in Stravinsky's Music (2001)T. S. Eliot’s Parisian Year (2009)Atonal prolongational structure (1989)The Geometry of Musical Rhythm (2016)Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Pathway, Blockage, and Containment in Density 21.5 (2016)The Legacy of Ida Rubinstein: Mata Hari of the Ballets Russes (1986)The Making of Ballet Modernism (1988)Opera in Postwar Venice (2018)
this work references cited by second hop

References

  • 1980Basic atonal theory160 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1962Expositions and Developments136 cited
  • 1959Conversations with Igor Stravinsky131 cited
  • 1983The Music of Igor Stravinsky82 cited
  • 1979Stravinsky in Pictures and Documents78 cited
  • 1969Perspectives on Schoenberg and Stravinsky75 cited
  • 1979Stravinsky in Pictures and Documents66 cited

Cited by

  • 2016Special Collections32 cited
  • 1991Bartók's Octatonic Strategies: A Motivic Approach21 cited
  • 2003Stravinsky and the Octatonic: The Sounds of Stravinsky19 cited
  • 1999Ravel's "Russian" Period: Octatonicism in His Early Works, 1893-190817 cited
  • 2019On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality14 cited
  • 2010A Dialogue Begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes3 cited

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