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Musical boundaries: intersections of form and content
13 references·16 citing·43 second hop
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References

  • 2002The Study of Boundaries in the Social Sciences5,117 cited
  • 1997Manifesto for a Relational Sociology3,825 cited
  • 1997Culture and Cognition3,156 cited
  • 2001Fuzzy-Set Social Science2,799 cited
  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 2014The Comparative Method2,128 cited
  • 2016Handbook of Aging and the Social Sciences1,956 cited
  • 1992Money, Morals, and Manners1,822 cited
  • 1955Conflict and the Web of Group-Affiliations1,742 cited
  • 1998Measuring Meaning Structures615 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 1998Birds of a Feather Sing Together273 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited

Cited by

  • 2006How Cultural Tastes Shape Personal Networks615 cited
  • 2005Problems in comparative research: The example of omnivorousness579 cited
  • 2010Cultural Holes: Beyond Relationality in Social Networks and Culture

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532 cited
  • 2005Between Complexity and Parsimony: Limited Diversity, Counterfactual Cases, and Comparative Analysis314 cited
  • 2011Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore Reexamined282 cited
  • 2008How to model an institution220 cited
  • 2018Schemas and Frames126 cited
  • 2009The anatomy of cultural omnivorousness: The case of the United Kingdom126 cited
  • 2008Cultural omnivorousness as a combination of highbrow, pop, and folk elements: The relation between taste patterns and attitudes concerning social integration122 cited
  • 2005Understanding classifications: Empirical evidence from the American and French wine industries111 cited
  • 2014Finding Cultural Holes: How Structure and Culture Diverge in Networks of Scholarly Communication83 cited
  • 2009Social and symbolic boundaries in newspaper coverage of music, 1955–2005: Gender and genre in the US, France, Germany, and the Netherlands63 cited
  • 2018Categorical ambiguity in cultural fields: The effects of genre fuzziness in popular music50 cited
  • 2010Narratives of Wildfire: Coverage in Four U.S. Newspapers, 1999-200347 cited
  • 2015Ambivalence, indifference, distinction: A comparative netfield analysis of implicit musical boundaries28 cited
  • 2008Bringing art to market: The diversity of pricing styles in a local art market21 cited