The “ethnographic surrealism” of Jean Rouch

Abstract

Using James Clifford's notion of “ethnographic surrealism,” this paper focuses on the “surrealist” features of the film work of Jean Rouch. First, drawing extensively from an interview held with Rouch in May 1988, I outline the influence that the “ethnographic surrealism” of the 1930s had on Rouch. I then go on to discuss “surrealism” in Rouch's use of the camera, choice of subject matter, techniques of narration, and relationship to his subject. I conclude by demonstrating that Rouch's current work at the Cinémathèque Française and the Comité du Film Ethnographique offer excellent examples of his ability to cross disciplinary boundaries and thus extend the original spirit of “ethnographic surrealism” into the present.

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