Tahiti: the ripples of a myth on the shores of the imagination

Abstract

Influenced by Henri Lefebvre's ideas about the production of space as a continually evolving dialogic process, I trace the long post‐contact history of “Tahiti” as an entangled place where the production and product are continually intertwined. I examine more than two hundred years of historical twists and turns that result in a dialogic process of place making. Tahiti is generated when the imaginary place collides with the material existence, each reflecting and recasting the other. This intertwined history includes 18th‐century French imperialist philosophies and voyages of exploration; 19th‐century colonial intervention, romantic novels and Gauguin's colourful canvases; and 20th‐century French chocolates, Hollywood movies, French nuclear testing, postcards and more.

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