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Cited by

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• 2012The Cambridge History of Musical Performance46 cited
• 2017Plague and Music in the Renaissance25 cited
• 2020Women and the Circulation of Texts in Renaissance Italy17 cited
• 2012The performer and the composer10 cited
• 2015The origins of pervasive imitation9 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2017Music, Silence, and the Senses in a Late Fifteenth-Century Book of Hours4 cited
• 2012Vocal performance in the Renaissance3 cited