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This paper analyzes 18 pieces of music from the Egyptian and Syrian maqam (Arabic melodic modal) tradition, with the following goals: 1) to demonstrate how to parse musical examples using the abstract information available on scale structure; 2) to challenge the conventional understandings of Arabic music theory, and offer new definitions of jins (tetrachord or scale type) and maqam (scale); and 3) to provide hypotheses as to the shape of the overall maqam system and suggestions for potentially fruitful avenues of research.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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