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Ion beam analysis with external beams: Recent set-up improvements
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Ion beam analysis with external beams: Recent set-up improvements (2002)Ion beam analysis with external beams: Re…The external PIXE setup for the analysis of manuscripts at the Florence University (1993)The external PIXE setup for t…Non-invasive quantitative micro-PIXE–RBS/EBS/EBS imaging reveals the lost polychromy and gilding of the Neo-Assyrian ivories from the Louvre collection (2015)Non-invasive quantitative mic…PIXE (particle induced X-ray emission): A non-destructive analysis method adapted to the thin decorative coatings of antique ceramics (2012)PIXE (particle induced X-ray …Marginal Perspectives: Sourcing Epi-Palaeolithic to Chalcolithic Obsidian from the Öküzini Cave (SW Turkey) (2011)Marginal Perspectives: Sourci…Détermination de provenance d’une sélection d’obsidiennes du palais minoen de Malia (Crète) (2008)Détermination de provenance d…Ion beam induced luminescence analysis of painting pigments (2007)Ion beam induced luminescence…PIXE reveals that two Murillo’s masterpieces were painted on Mexican obsidian slabs (2005)PIXE reveals that two Murillo…Provenance of the Jerf el Ahmar (Middle Euphrates Valley, Syria) obsidians (2003)Provenance of the Jerf el Ahm…Application of photo-detection to art and archaeology at the C2RMF (2003)Application of photo-detectio…Further Analysis of Near Eastern Obsidians (1969)Archaeological Obsidian Studies (1998)Archaeological obsidian studies: method and theory (1998)Buying local or ancient outsourcing? Locating production of prismatic obsidian blades in Bronze-Age Northern Mesopotamia (2013)Origins of Epipalaeolithic obsidian artifacts from Garrod's excavations at Zarzi cave in the Zagros foothills of Iraq (2018)AN EXAMINATION OF THE HIGH GLOSS SURFACE FINISHES ON GREEK ATTIC AND ROMAN SAMIAN WARES (1982)The techniques of painted Attic pottery (1989)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)Paintings? a challenge for XRF and PIXE analysis (2000)Ion beam analysis of art works: 14 years of use in the Louvre (2004)Differential PIXE for investigating the layer structure of paintings (2005)Implementation of ionoluminescence in the AGLAE scanning external microprobe (2015)Identification and imaging of modern paints using Secondary Ion Mass Spectrometry with MeV ions (2017)High-Precision Trace-Element Characterization of Major Mesoamerican Obsidian Sources and Further Analyses of Artifacts from San Lorenzo Tenochtitlan, Mexico (1991)An improved experimental setup for the simultaneous PIXE analysis of heavy and light elements with a 3 MeV proton external beam (1996)Pre-Hispanic Quarrying in the Ucareo-Zinapecuaro Obsidian Source Area (1997)Ancient Egyptian Materials and Industries (1948)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)The Guelph PIXE software package IV (2010)Proton beam irradiation induces invisible modifications under the surface of painted parchment (2022)The Vinland map, revisited: new compositional evidence on its inks and parchment (1987)Advantages of scanning-mode ion beam analysis for the study of Cultural Heritage (2007)Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)The Characterization of Obsidian and its application to the Mediterranean Region (1964)Obsidian in the Aegean (1965)An Island Polity: The archaeology of exploitation in Melos (1984)Settlement history and material culture in southwest Turkey: report on the 2008–2010 survey at Çaltılar Höyük (northern Lycia) (2011)Provenance studies of Central European Neolithic obsidians using external beam milli-PIXE spectroscopy (2013)Obsidian circulation in the early Holocene Aegean: A case study from Mesolithic Damnoni (SW Crete) (2017)Modern analytical methods in art and archaeology (2000)Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead” (2001)Analysis of the painting “Gioventú” (Eliseu Visconti) using EDXRF and computed radiography (2009)Dolomitic marble from Thasos at the Louvre (2013)Organization and Formation Processes: Looking at Curated Technologies (1979)Style and Social Information in Kalahari San Projectile Points (1983)The palaeolithic societies of Europe (2000)Paleolithic occupations of the Göllü Dağ, Central Anatolia, Turkey (2015)Bondi Cave and the Middle-Upper Palaeolithic transition in western Georgia (south Caucasus) (2016)Origin of an obsidian scraper at Yabroud Rockshelter II (Syria): Implications for Near Eastern social networks in the early Upper Palaeolithic (2017)
this work references cited by second hop

References

  • 1993The external PIXE setup for the analysis of manuscripts at the Florence University50 cited

Cited by

  • 2011Marginal Perspectives: Sourcing Epi-Palaeolithic to Chalcolithic Obsidian from the Öküzini Cave (SW Turkey)29 cited
  • 2003Provenance of the Jerf el Ahmar (Middle Euphrates Valley, Syria) obsidians25 cited
  • 2007Ion beam induced luminescence analysis of painting pigments24 cited
  • 2005PIXE reveals that two Murillo’s masterpieces were painted on Mexican obsidian slabs19 cited
  • 2015Non-invasive quantitative micro-PIXE–RBS/EBS/EBS imaging reveals the lost polychromy and gilding of the Neo-Assyrian ivories from the Louvre collection18 cited
  • 2008Détermination de provenance d’une sélection d’obsidiennes du palais minoen de Malia (Crète)18 cited
  • 2003Application of photo-detection to art and archaeology at the C2RMF15 cited
  • 2012PIXE (particle induced X-ray emission): A non-destructive analysis method adapted to the thin decorative coatings of antique ceramics10 cited

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