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“Clamorous with War and Teeming with Empire”: Purcell and Tate's Dido and Aeneas
16 references·1 citing·27 second hop
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this work references cited by second hop

References

  • 1988In Other Worlds: Essays in Cultural Politics.2,852 cited
  • 1995Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature309 cited
  • 1996English Drama 1660–1700187 cited
  • 1995Culture and Society in the Stuart Restoration183 cited
  • 1994Reading Dido: Gender, Textuality, and the Medieval Aeneid177 cited
  • 2002Women, Religion and Education in Early Modern England140 cited
  • 1998The Cambridge Companion to English Literature, 1650–1740131 cited
  • 2009A Woman Scorn'd: Responses to the Dido Myth130 cited
  • 1985Henry Purcell and the London Stage104 cited
  • 1999The Longman Anthology of British Literature78 cited
  • 1998Opera in history: from Monteverdi to Cage57 cited
  • 1997William III and the Godly Revolution.55 cited
  • 1984British Theatre and the Other Arts, 1660-180051 cited
  • 1998The politics of opera in late seventeenth-century London35 cited
  • 1935The Tangier Papers of Samuel Pepys35 cited
  • 2001Interculturalism and Resistance in the London Theater, 1660-1800: Identity, Performance, Empire33 cited

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Cited by

  • 2015Dido and Aeneas in eighteenth-century England: Virgilian imitation and national identity3 cited